以斯帖的加冕礼 - 美国大都会艺术博物馆展品查阅

品名（中）	以斯帖的加冕礼
品名（英）	The Coronation of Esther
入馆年号	1984年，1984.293
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Carlo Urbino【1505 至 1605】【意大利人】
创作年份	公元 1510 - 公元 1585
创作地区
分类	图画（Drawings）
尺寸	8 1/4 x 12 1/4英寸 (20.9 x 31.1厘米)
介绍（中）	这幅详细的草图以前被认为是保罗·委罗内塞（山上的注释）的，但当它于 1984 年被大都会博物馆收购时，劳伦斯·图尔契奇提议它可能是卡洛·乌尔比诺（Carlo Urbino，1984 年 3 月）的作品，卡洛·乌尔比诺是一位来自克雷马的相对鲜为人知的画家，他的画作风格与贝纳迪诺·坎皮的风格有些相似。朱利奥·博拉（Giulio Bora）随后证实了乌尔比诺的归属，他将纸张与马焦雷湖帕兰萨的圣玛丽亚迪坎帕尼亚教堂的壁画连接起来。根据Bora的说法，大约在1576-77年，乌尔比诺与米兰画家Aurelio Luini合作，对查奇的内部进行了丰富的装饰。Luini负责占据教堂整个后殿的大型"圣母升天"的大约一半，以及圆顶下方学究中的圣马可和圣路加的雕像以及拱门上的"圣母之死"。乌尔比诺显然画了"假设"的另一半，讲台上的福音传教士圣约翰和圣马太的形象，以及长老会中的"以斯帖加冕礼"，与路易的"圣母之匮乏"配对。他还被认为设计了建筑物其余大部分装饰的设计 - 如果不是实际执行的话。这幅草图是一幅构图研究，与埃斯特加冕典礼的壁画略有不同，这一主题预示着圣母玛利亚被提升为海文女王。笔墨亲笔题词"13.Giornate"（13天）大概是指执行壁画所需的天数。
介绍（英）	This detailed sketch was formerly ascribed to Paolo Veronese (note on the mount), but when it was acquired by the Metropolitan Museum in 1984, Lawrence Turčić proposed that it might instead be the work of Carlo Urbino (March 1984), a relatively little known painter from Crema whose drawings are somewhat similar in style to those of Bernardino Campi. The attribution to Urbino was subsequently confirmed by Giulio Bora, who connected the sheet with a fresco in the church of Santa Maria di Campagna at Pallanza, on Lago Maggiore. According to Bora, the interior of the charch was richly decorated about 1576-77 by Urbino in collaboration with the Milanese painter Aurelio Luini. Luini was responsible for roughly half of the large ‘Assumption of the Virgin’ that occupies the entire apse of the church, as well as for the figures of Saint Mark and Saint Luke in the pedentives beneath the dome and the ‘Death of the Virgin on the apsidal arch. Urbino apparently painted the other half of the ‘Assumption’, the figures of Saint John the Evangelist ans Saint Matthew in the pedentives, and the ‘Coronation of Esther’ in the presbytery, where it is paired with Luini’s ‘Dearth of the Virgin.’ He is also credited with the design – if not the actual execution – of much of the rest of the decoration of the building. The present sketch is a compositional study with minor differences for the fresco of the Coronation of Ester, a subject that prefigures the elevation of the Virgin Mary to her role as Queen of Haeven. The autograph inscription in pen and ink "13. giornate" (13 days) presumably refers to the number of days that would be required to execute the fresco.