荒野中的圣杰罗姆 - 美国大都会艺术博物馆展品查阅

品名（中）	荒野中的圣杰罗姆
品名（英）	Saint Jerome in the Wilderness
入馆年号	1926年，26.70.4(20)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Annibale Carracci【1560 至 1609】【意大利人】
创作年份	公元 1586 - 公元 1596
创作地区
分类	印刷品（Prints）
尺寸	9 3/4 x 7 9/16 英寸 (24.8 x 19.2 厘米)
介绍（中）	安妮巴勒·卡拉奇是16世纪末和17世纪初在意大利工作的最重要的艺术家之一。他与堂弟卢多维科和哥哥阿戈斯蒂诺一起，在被称为"绘画改革"的过程中发挥了关键作用。尽管Annibale的作品集很小（22个已知的设计可以可靠地归因于他），但它们很有影响力，并说明了将意大利北部自然主义与意大利中部设计原则（称为disegno）相结合的美学目的。Annibale接受了专业雕刻师哥哥Agostino的训练，学会了使用墓葬，他很快转向了蚀刻，这一技术使他能够模仿自己绘画中快速流畅的笔触。在这里，媒介的直接性有助于圣杰罗姆代表的表达强度，他在自我羞辱中经历了一种神圣的愿景。
介绍（英）	Annibale Carracci was one of the most important artists working in Italy during the late sixteenth and early seventeenth centuries. Together with his cousin Ludovico and his brother Agostino, he played a critical role in what has been labelled 'the reform of painting'. While the corpus of Annibale's prints is small (twenty-two known designs can be securely attributed to him), they were influential and illustrate the aesthetic aims to combine northern Italian naturalism with central Italian principles of design (known as disegno). Trained to use the burin by his brother Agostino, a professional engraver, Annibale soon turned to etching, a technique that allowed him to emulate the quick, fluid pen strokes of his drawings. Here the immediacy of the medium contributes to the expressive intensity of the representatoin of Saint Jerome, who, in the midst of his self-mortification, experiences a divine vision.