舞台布景设计 - 美国大都会艺术博物馆展品查阅

品名（中）	舞台布景设计
品名（英）	Design for a Stage Set
入馆年号	1961年，61.501
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giuseppe Barberi【1746 至 1809】【意大利人】
创作年份	公元 1770 - 公元 1780
创作地区
分类	图画（Drawings）
尺寸	16-1/8 x 21-3/4 英寸 (41.0 x 55.2 厘米)
介绍（中）	作为一名了不起的绘图员，巴贝里设计了许多建筑项目，但大部分项目仍未执行。他在罗马新古典主义建筑师朱塞佩·瓦拉迪耶的父亲路易吉·瓦拉迪耶（Luigi Valadier）的指导下接受银匠培训。巴贝里的许多画作，包括这幅画，都被错误地归于年轻的瓦拉迪耶，直到柏林纳将它们证明是巴贝里丰富的想象力的创新产物。巴贝里的大部分画作都在库珀-休伊特博物馆和罗马博物馆。他们表明巴贝里是罗马重要的新古典主义设计师之一。柏林纳的画作日期为1770-80年。这个色彩华丽的舞台布景体现了巴贝里的新古典主义风格。景色直截了当：通过Bibiena的场景实现的无尽空间的巴洛克效果被一个清晰，精心定义的封闭空间所取代。巨大的柱子形成一个正面屏幕，后面的栏杆加强了二维屏幕效果。简化的建筑元素以巨大的规模宏伟呈现。巨大的背景是由一个质朴的拱廊创建的，作为一个简单的寺庙正面的翅膀，该寺庙正面由一个柱廊组成，上面有一个阶梯式圆顶。左边是高台阶上的一把椅子，暗示着宝座。在它的后面和舞台的对面是两只狮子。
介绍（英）	A prodigious draughtsman, Barberi designed many architectural projects that remained for the most part unexecuted. He was trained as a silversmith under Luigi Valadier, father of the Roman neoclassic architect, Giuseppe Valadier. Many of Barberi's drawings, including this one, were wrongly attributed to the younger Valadier until Berliner showed them to be the innovative products of Barberi's fertile imagination. Most of Barberi's drawings are in the Cooper-Hewitt Museum and the Museo di Roma. They show Barberi to have been one of Rome's important neoclassic designers. Berliner dates our drawing 1770-80. This lavishly colored stage set exemplifies Barberi's neoclassic style. The view is straight on: the baroque effect of unending space achieved through the Bibiena's scena per angolo is replaced by a clear, carefully defined, enclosed space. Gigantic columns form a frontal screen, behind which a railing reinforces the two-dimensional screen effect. The simplified architectural elements are grandiosely presented on a huge scale. The monumental background is created by a rusticated arcade acting as wings for a simple temple front that consists of a colonnade surmounted by a stepped dome. A chair on a high, stepped platform, suggesting a throne, is at left. Behind it and on the opposite side of the stage are two lions couchant.