神圣的家庭 - 美国大都会艺术博物馆展品查阅

品名（中）	神圣的家庭
品名（英）	The Holy Family
入馆年号	2001年，2001.190
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jan Gossart (called Mabuse)【1478 至 1532】【荷兰人】
创作年份	公元 1505 - 公元 1525
创作地区
分类	图画（Drawings）
尺寸	6 1/8 x 5 英寸 (15.5 x 12.7 厘米)
介绍（中）	在这幅画中，戈萨特描绘了神圣家族坐在一棵树旁边的长凳上，我们只能看到树干。圣母玛利亚把赤身裸体的圣婴放在她的腿上，他转过头看着我们。他们旁边是约瑟夫，他给玛丽一朵花。戈萨特非常注意帷幔的褶皱。它们的细节执行和近乎雕塑般的质量与更粗略、不太成熟的人物形成鲜明对比。在背景中，淡淡的线条似乎表明了对可能的建筑环境的第一个想法。这幅精美的图画可能是对一幅身份不明的绘画或版画的初步研究。另一种可能性是，这幅画本来是一幅独立的作品，但由于未知原因，艺术家没有完成它。作为十六世纪初技术上最有道德的艺术家之一，也是安特卫普矫饰主义的最早代表之一，戈萨尔曾为许多有影响力的宫廷和赞助人工作，包括勃艮第的菲利普、勃艮第的阿道夫和丹麦国王克里斯蒂安二世。
介绍（英）	In this drawing, Gossart depicted the Holy Family sitting on a bench next to a tree, of which we can see only the trunk. The Virgin Mary dangles the naked Christ Child on her lap as he turns his head to look at us. Next to them is Joseph, who offers Mary a flower. Gossart paid a great deal of attention to the drapery folds. Their detailed execution and almost sculptural quality are in contrast to the sketchier, less-worked-out figures. In the background, faint lines seem to indicate first thoughts for a possible architectural setting. The exquisite drawing might have been a preliminary study for an unidentified painting or print. Another possibility is that the drawing was meant to be an independent work, but for an unknown reason the artist left it unfinished. Among the most technically virtuous artists of the early sixteenth century and one of the earliest exponents of Antwerp Mannerism, Gossart worked for a number of influential courts and patrons, including Philip of Burgundy, Adolf of Burgundy, and Christian II, king of Denmark.