风景中的圣杰罗姆 - 美国大都会艺术博物馆展品查阅

品名（中）	风景中的圣杰罗姆
品名（英）	St. Jerome in a Landscape
入馆年号	2001年，2001.156.1
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Anonymous, Italian, Venetian, 15th to 16th century【1400 至 1600】【意大利人】
创作年份	公元 1495 - 公元 1500
创作地区
分类	图画（Drawings）
尺寸	5 3/4 x 7 3/16 英寸 (14.6 x 18.3 厘米)
介绍（中）	这个微妙的交叉阴影，自然主义的场景在情绪中安静地沉思。将前景中的人物与远处流动的田园景观一起设想的方式是乔瓦尼·贝里尼（Giovanni Bellini）时代威尼斯绘画的特征。这幅作品描绘了瘦弱的隐士圣杰罗姆，跪在岩石海角的一个小十字架前祈祷，略微偏离中心左侧。从侧面看，圣人的形象似乎特别凄美，因为它是对老年的栩栩如生的反古典描绘，这要归功于北欧艺术。整个构图的整体色调调制特别引人注目，因为它完全是通过笔墨的交叉阴影笔触来实现的，这是一种固有的线性技术。整个构图的元素都以锯齿状的表现力轮廓勾勒出来，充满了色调清晰度，这种图形习惯肯定超出了除一流艺术家之外任何人的能力。（卡门·班巴赫，2001）
介绍（英）	This delicately cross-hatched, naturalistic scene is quietly contemplative in mood. The manner of envisioning the figure in the foreground with a roving pastoral landscape beyond is characteristic of Venetian painting at the time of Giovanni Bellini. The composition portrays the emaciated hermit Saint Jerome, kneeling in prayer before a small crucifix in a rocky promontory, slightly off-center to the left. Seen in a profile view, the figure of the saint seems especially poignant as a lifelike, anti-classical portrayal of old age, which is indebted to Northern European art. The overall tonal modulation across the composition is especially striking because it is attained entirely by cross-hatching strokes in pen and ink, an inherently linear technique. Elements throughout the composition are outlined with jaggedly expressive contours full of tonal articulation, a graphic habit that would certainly be beyond the capacity of anyone but an artist of the first rank. (Carmen C. Bambach, 2001)