山地景观 - 美国大都会艺术博物馆展品查阅

品名（中）	山地景观
品名（英）	Mountainous Landscape
入馆年号	2001年，2001.510
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Tobias Verhaecht【1561 至 1631】【荷兰人】
创作年份	公元 1576 - 公元 1631
创作地区
分类	图画（Drawings）
尺寸	7 11/16 x 15 3/8 英寸 (19.5 x 39 厘米)
介绍（中）	荷兰景观设计师托比亚斯·韦尔哈希特（Tobias Verhaecht）在1590年代前往意大利的途中穿越了阿尔卑斯山。这段旅程显然给人留下了深刻的印象，因为巨大的山脉和山谷将成为他整个职业生涯中作品的典型元素。然而，令人怀疑的是，这幅画中描绘的奇特岩层在现实中是否具有实际的等价物。这幅作品很可能主要来自Verhaecht的想象，而不是直接观察。不可否认，老彼得·勃鲁盖尔（1525-69）有影响力的阿尔卑斯山景观构成了重要的灵感来源。风景以有力、宽阔的笔触和松散的棕色和蓝色水洗进行。Verhaecht很少关注细节;例如，请注意沿着河岸大致勾勒的四个水车。散落在景观周围的树木几乎无法从奇妙的岩石中辨认出来，因为它们以同样松散和细长的线条描绘。这幅画的自由执行给人的印象是艺术家的工作速度很快。可能这张纸的目的是作为一幅画的构图研究。这个山谷的形式语言是典型的风格主义，这是荷兰风景画早期例子的特征。高地平线和广阔的全景同样是 16 世纪图像的特征。尽管Verhaecht的作品在制作时仍然非常受欢迎，但他的作品与同时代人的作品有些不合时宜，例如Denys van Alsloot（约1570-约1627）和Frederik van Valckenborch（约1565/66-1623），他们从风格主义的幻想转向更大的现实主义感这幅画的背页上的铭文表明，这幅画曾经由威尼斯收藏家扎卡里亚·萨格雷多（Zaccaria Sagredo，1653-1729 年）拥有。字母"P.O."被认为是"Paesaggio Olandese"或"Oltremontano"的缩写，意思是荷兰或北方景观。[1]这个意大利出处可能表明山谷是在1590年代Verhaecht在意大利逗留期间创作的，并且这幅画可能留在意大利。 [1] 参见 Marques de Collections， Lugt 2103a
介绍（英）	The Netherlandish landscapist Tobias Verhaecht crossed the Alps on his way to Italy during the 1590s. This journey clearly left a lasting impression, as monumental mountain ranges and valleys would form a quintessential element in his work throughout his career. It is doubtful, however, that the fanciful rock formations depicted in this drawing have an actual equivalent in reality. The composition is likely to have sprung largely from Verhaecht’s imagination, rather than direct observation. Undeniably, the influential Alpine landscapes of Pieter Bruegel the Elder (1525–69) formed an important source of inspiration. The landscape is executed in vigorous, broad pen strokes and loosely applied brown and blue washes. Verhaecht paid little attention to detail; note for example the four watermills, broadly sketched along the riverbanks. Trees, scattered around the landscape, are barely discernable from the fantastic rocks, as they are delineated in equally loose and elongated lines. The free execution of this drawing gives the impression that the artist worked at great speed. Possibly the sheet was intended as a compositional study for a painting. The formal language of this Mountain Valley is typical of the mannerism that characterized the early examples of Netherlandish landscape painting. High horizon and vast panoramic views are equally characteristic of sixteenth-century imagery. Although Verhaecht’s work was still very popular at the time of its manufacture, his compositions were somewhat anachronistic from the work of his contemporaries, such as for example Denys van Alsloot (ca. 1570–ca. 1627) and Frederik van Valckenborch (ca. 1565/66–1623), who moved away from the mannerist fancy towards a greater sense of realism An inscription on the backing sheet of this drawing indicates that the drawing once was in possession of the Venetian collector Zaccaria Sagredo (1653–1729). The letters "P.O." are thought to be an abbreviation of either "Paesaggio Olandese" or "Oltremontano", meaning Netherlandish or Northern landscape.[1] This Italian provenance may be an indication that the Mountain Valley was made during Verhaecht’s stay in Italy in the 1590s, and that the drawing may have stayed in Italy. [1] Cf. Marques de Collections, Lugt 2103a