龙胆、蛾、鸟、猫、交错母题和希腊壁画的研究（直肠）；人物装饰研究（verso） - 美国大都会艺术博物馆展品查阅

品名（中）	龙胆、蛾、鸟、猫、交错母题和希腊壁画的研究（直肠）；人物装饰研究（verso）
品名（英）	Studies of a Gentian, Moth, Birds, Cats, Interlacing Motif, and Greek Frets (recto); Ornamental Studies with Figures (verso)
入馆年号	2001年，2001.451a, b
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giorgio di Giovanni ("Giorgio da Siena")【1538 至 1559】【意大利人】
创作年份	公元 1530 - 公元 1540
创作地区
分类	图画（Drawings）
尺寸	7 3/16 x 10 7/16 英寸 (18.2 x 26.5 厘米)
介绍（中）	精美的动物、昆虫和装饰图案表明，这张纸曾经是素描本或模型书的一部分。这些图像通常与锡耶纳附近的Villa Belcaro的壁画周期有关，艺术家在1530年至1540年间创作了这幅壁画；他成为锡耶纳自然主义古董风格装饰画流派的主要实践者。这里特别迷人的是用来描绘两只猫和小型昂首阔步的谷仓鸟的生动的线条，而对这种昆虫——一种白头翁，也被称为死亡鹰蛾——的研究则是以近乎科学的精度绘制和绘制的图案的范围表明这张纸曾经是素描本或模型书的一部分。这些图像通常与锡耶纳附近的Villa Belcaro的壁画周期有关，艺术家在1530年至1540年间创作了这幅壁画；乔治成为锡耶纳自然主义古风装饰画的主要实践者。这里特别迷人的是用来描绘两只猫和昂首阔步的小型谷仓鸟的生动的线条，而昆虫Acherotia atropos，也被称为死亡的头蛾，是以近乎科学的精度绘制和绘制的，尽管它是作为装饰背景中的一个主题（C.C.B.）
介绍（英）	The range of delicately drawn animal, insect, and ornamental motifs indicates that this sheet was once part of a sketch book or model book. The imagery relates generally to a fresco cycle at the Villa Belcaro, near Siena, which the artist executed between 1530 and 1540; he became the leading practitioner of the genre of naturalistic Antique-style ornamental painting in Siena. Particularly charming here is the lively pen line used to render the two cats and small strutting barnyard fowl, while the study of the insect -- an Acherontia Atropos, otherwise known as a Death’s Head Hawk Moth -- is drawn and painted with a nearly scientific precision. The range of motifs indicates that this sheet was once part of a sketchbook or model book. The imagery relates generally to a fresco cycle at the Villa Belcaro, near Siena, which the artist executed between 1530 and 1540; Giorgio became the leading practitioner of naturalistic antique-style ornamental painting in Siena. Particularly charming here is the lively pen line used to render the two cats and the small, strutting barnyard fowl, while the insect-Acherontia atropos, otherwise known as a death's-head moth-is drawn and painted with a nearly scientific precision, even though it was intended as a motif in a decorative context. (C.C.B.)