一个留着胡子的年轻人的头像，侧面朝右 - 美国大都会艺术博物馆展品查阅

品名（中）	一个留着胡子的年轻人的头像，侧面朝右
品名（英）	Head of a Bearded, Young Man in Profile Facing Right
入馆年号	2001年，2001.504
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Bronzino (Agnolo di Cosimo di Mariano)【1503 至 1572】【意大利人】
创作年份	公元 1545 - 公元 1555
创作地区
分类	图画（Drawings）
尺寸	8 1/4 x 6 1/4 英寸 (21 x 15.8 厘米)
介绍（中）	这幅精心绘制的研究描绘了一个具有阿波罗式美貌的年轻人的大胡子头，可能被用来代表基督的形象。阴影的建模是无缝融合的，巧妙地使用了柔和的黑色粉笔的单个笔触的立柱或摩擦技术。米开朗基罗在 1530 年代和 1540 年代应用了出色的效果，这种用黑色粉笔绘制的技术在接下来的十年中被佛罗伦萨风格主义艺术家大力模仿，尤其是阿格诺洛·布朗齐诺。这里看到的头部让人想起美第奇挂毯中关于约瑟夫故事的那些，这些挂毯是由布朗齐诺在 1549-50 年至 1553 年间设计的。这张纸被收购时归属于16世纪的佛罗伦萨艺术家，乔治·戈德纳（George Goldner）在收购后不久将其重新归因于布朗齐诺。
介绍（英）	This delicately drawn study portrays the bearded head of a youthful man of Apollonian beauty that might have been used to represent the figure of Christ. The modeling of the shadows is seamlessly blended, with a masterful use of the technique of stumping, or rubbing in, of the individual strokes of soft black chalk. Applied to brilliant effect by Michelangelo in the 1530s and 1540s, this drawing technique with black chalk was greatly emulated by Florentine Mannerist artists of the following decade, and foremost by Agnolo Bronzino. The head seen here recalls those in the Medici tapestries on the story of Joseph, which were designed by Bronzino between 1549-50 and 1553. This sheet was acquired with an attribution to 16th century Florentine artist, and George Goldner reattributed it to Bronzino soon after the acquisition.