插图Torquato Tasso的“Gerusalemme Liberata”（X:78） - 美国大都会艺术博物馆展品查阅

品名（中）	插图Torquato Tasso的“Gerusalemme Liberata”（X:78）
品名（英）	Vignette Illustrating Torquato Tasso's "Gerusalemme Liberata" (X:78)
入馆年号	1949年，49.19.43
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giovanni Battista Piazzetta【1682 至 1754】【意大利人】
创作年份	公元 1745
创作地区
分类	图画（Drawings）
尺寸	页: 8 1/4 x 6 1/2 英寸 (21 x 16.5 厘米)
介绍（中）	这个优雅渲染的田园场景是由乔万·巴蒂斯塔·皮亚泽塔构思的，作为对 1745 年版托尔夸托·塔索史诗杰作"La Gerusalemme Liberata"（耶路撒冷交付）第 126 对开页的初步研究。博物馆还拥有1745年版的"Gerusalemme"（inv.37.36.1），由Giambattista Albrizzi在威尼斯出版。图纸和印刷品中数字的比例相同。然而，版画是一个更自然的场景，金字塔组中的人物搁置在坚实的地面上，而不是绘画中更具装饰性的概念，人物挤在一个梯形的小插图中，由装饰控制台支撑。版画的扩展空间概念似乎解释了一些特定的差异：在画中绑在树上的雄鹿头在印刷品中更明显地表示为左下角地面上的奖杯，支撑着倾斜的推杆。画中的中央女性人物凝视着她左边的两个普蒂，凝视着观众方向的印刷品前景。此外，该图画省略了在印刷品右前景中看到的两只死兔子。
介绍（英）	This elegantly rendered pastoral scene was conceived by Giovan Battista Piazzetta as a preliminary study for the engraving on folio 126 bis recto of the 1745 edition of Torquato Tasso’s epic masterpiece "La Gerusalemme Liberata" (Jerusalem Delivered). The Museum also owns the 1745 edition of the "Gerusalemme" (inv. 37.36.1), which was published in Venice by Giambattista Albrizzi. The scale of the figures in the drawing and the print are the same. However, the print is a more naturalistic scene with figures in a pyramidal grouping resting on solid ground, as opposed to the more decorative conception in the drawing, with figures crowded into a trapezoidal-shaped vignette supported by a decorative console. The expanded spatial conception of the print appears to account for a few specific differences: The head of a stag, which in the drawing is tied to a tree, is more obviously represented in the print as a trophy on the ground at lower left that supports a reclining putto. The central, female figure who in the drawing gazes at the two putti to her left, stares into the foreground of the print in the direction of the viewer. Also, the drawing omits the two dead rabbits seen in the right foreground of the print.