风景奖章周围基座上有翼人物的烛台设计 - 美国大都会艺术博物馆展品查阅

品名（中）	风景奖章周围基座上有翼人物的烛台设计
品名（英）	Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion
入馆年号	1950年，50.605.30
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Perino del Vaga (Pietro Buonaccorsi)【1501 至 1547】【意大利人】
创作年份	公元 1501 - 公元 1547
创作地区
分类	图画（Drawings）
尺寸
介绍（中）	尽管在他三十年的职业生涯中，他获得了无数不朽的壁画周期的委托，但正是作为一名小规模装饰物的设计师，佩里诺的艺术想象力才得以发挥。这一奢华的青铜烛台设计充满了装饰，是他非凡发明能力的真实广告。神圣与世俗的完美结合，体现了文艺复兴时期罗马的文化精神，经典化了 swags、acanthes leaves和grotteschi框架上的奖章- 大概是一块雕刻的水晶，描绘了叙事场景和圣人站在顶部的壁龛中的基督教图像表明，烛台旨在用作祭坛，而非世俗的家庭背景。关于赞助人或预定的背景，我们不得而知，但根据传记作者乔治·瓦萨里（Giorgio Vasari）的说法，亚历山德罗·法尔内塞枢机主教（Cardinal Alessandro Farnese）委托佩里诺（Perino）设计水晶饰板，用以装饰两个祭坛烛台。可以想象，现在的表与该项目有关，佩里诺在博物馆藏品中的两项研究也是如此。
介绍（英）	Although he received commissions for numerous monumental fresco cycles throughout his thirty-year career, it was as a designer of small-scale decorative objects that Perino’s artistic imagination took flight. This lavish design for a bronze candlestick brimming with ornament is a veritable advertisement for his prodigious powers of invention. In a seamless synthesis of the sacred and profane that epitomizes the cultural ethos of Renaissance Rome, classicizing swags, acanthus leaves, and grotteschi frame a medallion— presumably an engraved rock crystal—illustrating an episode of the Passion. The Christian imagery—both the narrative scene and the saint standing in a niche at the top—indicates that the candlestick was intended for an altar rather than a secular domestic context. Nothing about the patron or the intended setting are known, but according to the biographer Giorgio Vasari, Cardinal Alessandro Farnese commissioned Perino to design rock-crystal plaques to ornament two altar candlesticks. Conceivably, the present sheet relates to that project, as do two studies by Perino in the Museum's collection.