棕榈树研究；山地景观（verso） - 美国大都会艺术博物馆展品查阅

品名（中）	棕榈树研究；山地景观（verso）
品名（英）	Study of a Palm Tree (recto); Mountain Landscape (verso)
入馆年号	2002年，2002.39a, b
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Nicolas Poussin【1594 至 1665】【法国人】
创作年份	公元 1630 - 公元 1645
创作地区
分类	图画（Drawings）
尺寸	8 1/16 x 10 3/16 英寸 (20.5 x 25.8 厘米)
介绍（中）	这张罕见的双面纸包括法国宏伟方式的奠基人尼古拉斯·普桑的两份研究。它是一小群幸存的风景画的一部分，大概是在户外空气中制作的，这提供了普桑经典景观是基于对自然的直接观察的证据。在斜面上是一棵棕榈树的研究，棕榈树叶茂盛，树皮粗糙。在普桑的作品中，对个别景观主题的详细研究是未知的，尽管孤独的棕榈树确实在他的几幅画作中占据了突出的位置，它们有助于将背景识别为圣地。在反面，普桑创造了一个广阔的景观，具有非凡的手段经济。虽然构图似乎与现存的画作没有联系，但远处崎岖的山峰、右边的树木和左边用作回忆的树都是艺术家曲目中的典型风景元素。典型的也是弯曲的对角线轴，它将眼睛从前景引导到中间地带。
介绍（英）	This rare, double-sided sheet comprises two studies by Nicolas Poussin, a founding figure of the French grand manner. It is part of a small group of surviving landscape drawings, presumably made in plein air, that offer evidence that Poussin's classicizing landscapes were based on the direct observation of nature. On the recto is a study of a palm tree with lush foliage and rough bark. Detailed studies of individual landscape motifs are otherwise unknown in Poussin's oeuvre, though lone palm trees do occupy prominent positions in several of his paintings, where they serve to identify the setting as the Holy Land. On the verso, Poussin created an expansive landscape with a remarkable economy of means. Although the composition does not appear to be connected to an extant painting, the distant craggy peaks, the stand of trees to the right, and the tree used as a repoussoir on the left are all typical landscape elements in the artist's repertoire. Typical as well is the curving diagonal axis that leads the eye from foreground to middle ground.