圣徒崇拜的圣母（校长）；Torso Belvedere（verso）研究 - 美国大都会艺术博物馆展品查阅

品名（中）	圣徒崇拜的圣母（校长）；Torso Belvedere（verso）研究
品名（英）	The Virgin Adored by Saints (recto); Study of the Torso Belvedere (verso)
入馆年号	2002年，2002.12a, b
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Peter Paul Rubens【1577 至 1640】【佛兰德人】
创作年份	公元 1577 - 公元 1640
创作地区
分类	图画（Drawings）
尺寸	15 9/16 x 10 1/4 英寸 (39.5 x 26 厘米)
介绍（中）	校长：这些快速绘制的草图代表了鲁本斯创作祭坛画的第一个想法，该祭坛画由安特卫普的奥古斯丁神父教堂委托创作，现藏于该市的皇家美术博物馆。在中央的顶部，圣凯瑟琳跪在圣母和圣婴面前，而在左边是对她的布料的更详细的研究。下面，其他几位圣人被描绘成柔和的轮廓。在前景中，从左到右，圣乔治、塞巴斯蒂安和阿基坦的威廉向圣母致敬。尽管鲁本斯后来改变了构图，但他将创作过程早期的几个元素融入了画作中诗句：这幅画是鲁本斯在1601-2年第一次前往罗马时画的。这是对一座可追溯到公元前一世纪的古董雕塑的后视图的研究，该雕塑在17世纪属于科隆纳家族，现藏于梵蒂冈博物馆。鲁本斯使用红色粉笔和柔和的重叠阴影技术，产生了栩栩如生的效果，掩盖了他拍摄对象的大理石材料。
介绍（英）	Recto: These rapidly executed sketches represent Rubens's first ideas for an altarpiece commissioned by the Church of the Augustinian Fathers in Antwerp, now in the city's Royal Museum of Fine Arts. At top center, Saint Catherine kneels before the Virgin and Christ Child, while to the left is a more detailed study of her drapery. Below, several other saints are depicted with gentle outlines. In the foreground, from left to right, Saints George, Sebastian, and William of Aquitaine pay homage to the Virgin. Although Rubens later altered the composition, he incorporated several elements from this early stage of his creative process into the painting. Verso: This drawing was made by Rubens as a young man on his first trip to Rome, in 1601–2. It is a study of the back view of the an antique sculpture dating to the first century B.C., which belonged to the Colonna family in the seventeenth century and is today in the Vatican Museums. Using red chalk and a technique of soft overlapping hatching, Rubens produced lifelike results that belie the marble material of his subject.