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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)猎人和公司观察狗在池塘里取回鸭子(四月)
品名(英)Huntsmen and Company Observing Dogs Retrieving Ducks in a Pond (The Month of April)
入馆年号2002年,2002.79
策展部门绘画和印刷品Drawings and Prints
创作者Pieter Stevens【1567 至 1624】【荷兰人】
创作年份公元 1605 - 公元 1625
创作地区
分类图画(Drawings)
尺寸页: 8 3/4 x 12 3/8 英寸 (22.2 x 31.5 厘米)
介绍(中)在这张照片的左边,一队猎人聚集在一个池塘岸边。他们的几只猎狗跳入水中追逐鸟类。在右边更远的地方,穿着时髦的男人和女人正在对岸漫步,可能来自中央背景中若隐若现的乡村庄园。

这幅由荷兰艺术家彼得·史蒂文斯(Pieter Stevens)创作的画很可能是一组印刷设计的一部分,代表了一年中的几个月。属于该组的另外三幅图纸保存在维也纳的阿尔贝蒂娜,代表月份三月、七月和十二月。我们的床单可能是为了象征四月,因为在早期的现代肖像画中,狩猎和风流韵事都被认为是一年中那个时候的典型活动。然而,我们设计后的雕刻尚未找到。[2]

蓝色、红棕色和深棕色水彩在史蒂文斯的版画设计中经常出现。然而,随着时间的推移,这些颜色可能会失去一些活力,这可能是导致明显的棕色前景场景与背景中不太清晰、朦胧的景观之间的明显不平衡的原因。这些纸张的高光洁度可能表明,在被雕刻师使用后,这些图片本身也可以作为艺术品出售。

彼得·史蒂文斯是一位风景画家和绘图员,于1594年在布拉格定居。他是被皇帝鲁道夫二世(1552-1612)赞助吸引到哈布斯堡宫廷的众多国际艺术家之一。像他的同胞罗兰特·萨弗里(Roelant Savery,1576-1639 年)一样,史蒂文斯专门研究森林内部和波希米亚乡村的全景。




[1] 纸张尺寸约为 22 x 32 厘米,均用钢笔和棕色墨水以及蓝色和棕色水洗书写。

[2] 该系列由埃吉迪乌斯·萨德勒(Aegidius Sadeler,1570-1629 年)雕刻,不包括在霍尔斯坦。已知在阿姆斯特丹的国家广播公司中存在1月,2月,5月,6月,7月,8月,10月,11月和12月的印象(例如参见 https://www.rijksmuseum.nl/nl/collectie/RP-P-OB-7046)。
介绍(英)To the left of this picture, a company of huntsmen has gathered at the banks of a pond. A couple of their hunting dogs have jumped into the water to chase after birds. Further in the distance to the right, fashionably dressed men and women are strolling on the opposite banks, possibly coming from the country estate that looms in the central background.

This drawing by the Netherlandish artist Pieter Stevens is likely to have been part of a set of print designs, representing the months of the year. Three other drawings belonging to this group are kept in the Albertina in Vienna and represent the months March, July, and December. Our sheet probably is meant to symbolize April, since in early modern iconography, hunting and philandering were both regarded as typical activities for that time of year. An engraving after our design, however, has not been traced.[2]

The blue, reddish-brown and dark brown watercolor are often encountered in Stevens's print designs. It is possible, however, that over time, these colors have lost some of their vivacity, which may account for the noticeable imbalance between the overtly brown foreground scene and the less legible, hazy landscape in the background. The high finish of these sheets might suggest that, after having been used by the engraver, the pictures would also have been saleable as artworks in their own right.

Pieter Stevens was a landscape painter and draftsman who had settled in Prague in 1594. He was one of many international artists that were attracted to the Habsburg court by the patronage of Emperor Rudolf II (1552–1612). Like his fellow countryman, Roelant Savery (1576–1639), Stevens specialized in forest interiors and panoramic views of the Bohemian countryside.




[1] The sheets measure approximately 22 x 32 cm. and are all executed in pen and brown ink and blue and brown washes.

[2] This series, engraved by Aegidius Sadeler (1570–1629), is not included in Hollstein. Impressions of the months January, February, May, June, July, August, October, November and December are known to exist in the Rijksprentenkabinet in Amsterdam (cf. for example https://www.rijksmuseum.nl/nl/collectie/RP-P-OB-7046).
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。