牧师半身像 - 美国大都会艺术博物馆展品查阅

品名（中）	牧师半身像
品名（英）	Bust-Length Portrait of an Ecclesiastic
入馆年号	2002年，2002.84
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Carletto Caliari【1567 至 1596】【意大利人】
创作年份	公元 1567 - 公元 1596
创作地区
分类	图画（Drawings）
尺寸	页: 11 7/8 x 8 5/16 英寸 (30.2 x 21.1 厘米)
介绍（中）	这幅肖像画描绘了保姆，一位中年神职人员，鼻子扁平，胡须短，略微秃顶，他有意的目光指向右上角（天堂），以表示他的精神性情。这位艺术家是伟大的画家保罗·委罗内塞（1528-1588）的才华横溢的次子。卡莱托·卡利亚里是他父亲的亲密助手，尤其是在这位大师的晚年;在威尼斯，绘画是作为家族企业进行的。这幅画与保罗·委罗内塞（Paolo Veronese）于1587年开始的圣潘塔莱昂皈依（威尼斯圣潘塔莱昂）晚期画布中的主圣人非常相似，因此这幅画可能受到它的启发。肖像的风格和彩色粉笔技术揭示了雅各布·巴萨诺及其家人的显着影响。与莱安德罗·巴萨诺一起，卡莱托曾在1580年代在雅各布·巴萨诺的工作室工作。这幅肖像画的画家是著名画家保罗·委罗内塞（Paolo Veronese，1528-1588 年）的才华横溢的次子。卡莱托·卡利亚里是他父亲的亲密助手，尤其是在这位大师的晚年;在威尼斯，绘画是作为家族企业进行的。这幅画与委罗内塞晚期画布《圣潘塔莱昂的皈依》（威尼斯圣潘塔莱昂）中的主要圣人非常相似，该画布始于 1587 年，因此这幅画可能受到它的启发。肖像的风格和彩色粉笔技术揭示了雅各布·巴萨诺及其家人的显着影响。与莱安德罗·巴萨诺（Leandro Bassano）一起，卡莱托于1580年代在雅各布·巴萨诺（ Jacopo Bassano）的工作室工作。
介绍（英）	This portrait shows the sitter, a middle-aged cleric with aquiline nose, short beard and slightly balding, with his intent gaze directed to the upper right (heavenward), to denote his spiritual disposition. The artist was the talented, second-born son of the great painter, Paolo Veronese (1528-1588). Carletto Caliari was a close assistant of his father especially in the late years of the great master; in Venice painting was conducted as a family business. The present drawing bears a very close resemblance to the main saint in Paolo Veronese's late canvas of the Conversion of Saint Pantaleon (San Pantaleone, Venice), begun in 1587, and so the drawing was probably inspired by it. The style and colored chalk technique of the portrait reveal the marked influence of Jacopo Bassano and his family. Along with Leandro Bassano, Carletto had worked in the 1580's in Jacopo Bassano's workshop. The painter of this portrait was the talented, second-born son of the celebrated painter Paolo Veronese (1528-1588). Carletto Caliari was a close assistant of his father's, especially in the late years of the great master; in Venice, painting was conducted as a family business. The present drawing bears a very close resemblance to the main saint in Veronese's late canvas The Conversion of Saint Pantaleon (San Pantaleone, Venice), begun in 1587, so the drawing was probably inspired by it. The style and the colored-chalk technique of the portrait reveal the marked influence of Jacopo Bassano and his family. Along with Leandro Bassano, Carletto had worked in Jacopo Bassano's workshop in the 1580s. (C.C.B.)