基督被钉在两个小偷之间：三个十字架 - 美国大都会艺术博物馆展品查阅

品名（中）	基督被钉在两个小偷之间：三个十字架
品名（英）	Christ Crucified between the Two Thieves: The Three Crosses
入馆年号	1941年，41.1.31
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Rembrandt (Rembrandt van Rijn)【1606 至 1669】【荷兰人】
创作年份	公元 1653
创作地区
分类	印刷品（Prints）
尺寸	Plate: 15 x 17 1/4 英寸 (38.1 x 43.8 厘米) 页: 15 1/8 x 17 7/16 英寸 (38.4 x 44.3 厘米) Mount: 22 x 28 英寸 (55.9 x 71.1 厘米)
介绍（中）	《三个十字架》是伦勃朗在任何媒介中最好的作品之一，代表了他作为版画家的精湛技艺的顶峰。他完全在干点中绘制铜版，这使他能够充分利用干点工具切割铜时产生的天鹅绒毛刺区域。伦勃朗在创造这种印象时，故意在印版上留下墨水;它轻轻地遮住了站在右侧十字架脚下的人物;较厚的一层几乎完全覆盖了右边缘的灌木丛。通过创造性地为铜版上墨，伦勃朗在某种意义上描绘了每一个印象。每次印刷铜版时，他都会创作出独特的作品。他通过将印在不同的支架上来进一步改变印象;这种印象印在牛皮纸上，为组合物注入温暖的光线。牛皮纸的吸水性低于纸张，可将墨水保持在表面上，软化线条并增强整个效果的丰富性。
介绍（英）	The Three Crosses, one of Rembrandt's finest works in any medium, represents the culmination of his virtuosity as a printmaker. He drew on the copperplate entirely in drypoint which allowed him to fully exploit the velvety areas of burr raised by the drypoint tool as it cut into the copper. When Rembrandt created this impression, he deliberately left ink on the printing plate; it lightly veils the figures standing at the foot of the cross on the right; a thicker layer almost completely covers the bushes along the right edge. By creatively inking the copperplate, Rembrandt in a certain sense painted each impression. Each time he printed the copperplate he created a unique work. He further varied impressions by printing them on different supports; this impression is printed on vellum, which infuses the composition with a warm light. Vellum, less absorbent than paper, holds ink on the surface, softening lines and enhancing the richness of entire effect.