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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)所有建筑作品
品名(英)Tutte l'opere d'architettura
入馆年号1924年,24.45.3
策展部门绘画和印刷品Drawings and Prints
创作者Sebastiano Serlio【1475 至 1554】【意大利人】
创作年份公元 1584
创作地区发布于: 意大利, 威尼斯(Published in: Italy, Venice)
分类(Books)
尺寸Book: 9 3/4 × 7 3/16 × 2 9/16 英寸 (24.8 × 18.2 × 6.5 厘米) 页: 9 9/16 x 6 7/8 英寸 (24.3 x 17.5 厘米)
介绍(中)作为包括平面图和立面图在内的第一本实用且插图完整的建筑"手册",塞利奥的作品始于1537年,逐书出版,对文艺复兴时期建筑的发展产生了深远影响。在第七本关于"Miscellenea"或"Accidenti"(1584年)的书中,Serlio将他的设计分为城市建筑和乡村建筑。与帕拉迪奥不同的是,他为私人住宅提供了不同的设计,以区分社会中不同的社会经济水平,这一原则在他未出版的第六本关于家庭建筑的书中得到了更详细的阐述(该书的完整手稿保存在纽约哥伦比亚大学的埃弗里图书馆)
Libro Estraordinaria,第17页,Rustic Gate,"Questa porta rien del Dorico del Corintio,del Rustico…":
Serlio的《Libro estraordinario》是其全集第一版的第六本书,涉及大门的设计。他在第6册第17页为一个戏剧性的乡村大门所做的模型非常不寻常,因为它打破了古典建筑的所有规则,包括柱的顺序和装饰原则。受当代风格主义建筑中经常出现的古怪设计的启发,塞利奥将粗糙的元素与多立克柱式更传统的处理方式相结合,以强调自然与技巧之间的差异。他的大门完全适合别墅公园的入口,其设计带有浓重的乡村风格,带有一丝野兽的气息,塞利奥称之为野兽,拱门基石上的公牛头突出了这一点
Libro VII,第47页,"Della undinaima casa fuori Della cittàCapitolo XIX":

第6册第47页的印刷品描绘了塞利奥在城郊为富有赞助人设计的"casa furi Della cità"或别墅。别墅有一个完美的方形平面,中心和前面有一个大庭院。别墅的正面立面,如图所示,由一个开放的画廊组成,两侧是亭台楼阁。Serlio特别强调了"alla campagna"住宅中开放式凉廊而非封闭式立面的重要性,因为它们提供了通向室外的便捷通道和自然环境的美好前景。
介绍(英)As the first practical and fully illustrated "handbook" of architecture including plans and elevations, Serlio's work, begun in 1537 and published book by book, had a profound impact on the development of Renaissance architecture. In the seventh book, on "Miscellenea" or "Accidenti" (1584), containing a section on villas, Serlio divided his designs into buildings in the city and those in the countryside. Unlike Palladio, he offered different designs for private dwellings distinguishing between various socioeconomic levels in society, a principle worked out in further detail in his unpublished sixth book on domestic architecture (the completed manuscript of which is kept in the Avery Library at Columbia University, New York).
Libro Estraordinaria, p. 17, Rustic Gate, "Questa porta rien del Dorico del Corinthio, del Rustico...":
Serlio's Libro estraordinario, the sixth book in this first edition of his complete works, deals with the design of gateways. His model for a dramatic rustic gate on Page 17 of Book 6 is quite unusual in that it breaks all the rules of classical architecture, including the order of columns and principles of decoration. Inspired by the often eccentric designs of contemporary Mannerist architecture, Serlio combined rough elements with the more traditional treatment of the Doric order to stress the difference between nature and artifice. Entirely appropriate to the entry of a villa-park, his gate is designed in a heavy rustic manner with a touch of brutishness, which Serlio called bestiale, underlined by the bulls' heads set in the cornerstones of the archway.
Libro VII, p. 47, "Della undecima casa fuori della città Capitolo XIX.":

The print on Page 47 of Book 6 depicts Serlio's project for a "casa fuori della città" or villa for the wealthy patron on the outskirts of the city. The villa has a perfect square plan with a large courtyard at the center and in front. The villa's front elevation, shown here, consists of an open gallery flanked by pavilions. Serlio specifically stressed the importance of open loggias instead of closed facades in houses "alla campagna," since they provide easy access to the outdoors and delightful prospects of the natural surroundings.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。