《情人》 - 美国大都会艺术博物馆展品查阅

品名（中）	《情人》
品名（英）	The Lovers
入馆年号	1926年，26.70.3(102)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Parmigianino (Girolamo Francesco Maria Mazzola)【1503 至 1540】【意大利人】
创作年份	公元 1527 - 公元 1530
创作地区
分类	印刷品（Prints）
尺寸	其他: 5 13/16 × 4 1/8 英寸 (14.8 × 10.5 厘米)
介绍（中）	以拉斐尔为榜样，帕玛强尼诺对使用版画传播他的设计知识非常感兴趣。在罗马，他为乔瓦尼·雅各布·卡拉格里奥（意大利，约 1500/1505-1565 年）制作图纸以转化为版画，而在博洛尼亚，他可能直接在安东尼奥·达·特伦托（意大利人，活跃于 1520 年代至 30 年代）雕刻的木版画上绘制明暗对比木刻。帕玛强尼诺对版画的参与更进一步，在1520年代中期的某个时候，他自己拿起蚀刻针来试验这种新技术。他是第一个利用蚀刻的可能性的意大利人，在蚀刻中，线条在蜡质地面上自由划伤，直接翻译绘图员的方式。他创作的版画不超过十五幅，但他的榜样是激发了独特的意大利版画传统的未来发展。这是帕玛强尼诺最美丽的版画之一，展示了他对风景的敏感性，以及他特有的优雅和细长的人物类型。
介绍（英）	Following the example of Raphael, Parmigianino had a great interest in using prints to disseminated knowledge of his designs. In Rome, he produced drawings for Giovanni Jacopo Caraglio (Italian, ca. 1500/1505–1565) to translate into engravings, while in Bologna he may have drawn directly on the woodblocks carved by Antonio da Trento (Italian, active 1520s–30s) to produce chiaroscuro woodcuts. Parmigianino's involvement in printmaking went even further when, sometime in the mid-1520s, he took up the etching needle himself to experiment with this new technique. He was the first Italian to exploit the possibilities of etching, in which lines are freely scratched through a waxy ground, to directly translate the draftsman's manner. He produced no more than fifteen etchings, yet his example was to inspire the future development of a distinctly Italian printmaking tradition. This is one of Parmigianino's most beautiful prints, that demonstrates his sensitivity to landscape, as well as his characteristically graceful and elongated figure types.