从Janiculum看圣彼得大教堂和梵蒂冈 - 美国大都会艺术博物馆展品查阅

品名（中）	从Janiculum看圣彼得大教堂和梵蒂冈
品名（英）	View of St. Peter's and the Vatican from the Janiculum
入馆年号	1972年，1972.118.294
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Richard Wilson【1712 至 1782】【英国、威尔士人】
创作年份	公元 1754
创作地区
分类	图画（Drawings）
尺寸	页: 11 1/4 × 16 11/16 英寸 (28.5 × 42.4 厘米) Mount: 13 3/4 英寸 × 19 9/16 英寸 (35 × 49.7 厘米)
介绍（中）	1750年，理查德·威尔逊前往意大利，他希望在那里通过赢得英国年轻贵族的肖像委托来推进自己的职业生涯，并通过研究古代雕塑和建筑作品来拓宽自己的艺术知识。相反，他在意大利逗留的七年中，通过绘制该国独特的风景画，取得了成功。1754年，他为第二代达特茅斯伯爵威廉·莱格（1731-1801）绘制了这幅画，作为描绘罗马景色的大型团体的一部分 Wilson似乎主要是在工作室里画风景画，将现场研究（用油画、石墨或粉笔）与克劳德·洛林启发的传统图案和构图方法相结合。在这里，威尔逊用风景如画的树木和旅行者勾勒出了一个以米开朗基罗的圣彼得大圆顶为终点的前景，并将精确描述的建筑与柔和渲染的云朵并置。
介绍（英）	In 1750, Richard Wilson traveled to Italy, where he hoped to advance his career by winning portrait commissions from young British aristocrats making the Grand Tour, and to widen his knowledge of art by studying ancient works of sculpture and architecture. Instead, he would achieve success during his seven-year sojourn in Italy by painting views of that country's distinctive landscape. He made this drawing in 1754 for William Legge, second earl of Dartmouth (1731–1801), as part of a large group depicting views in Rome. Wilson appears to have painted his landscapes primarily in the studio, incorporating studies made on the spot (in oils, graphite, or chalks) with conventional motifs and methods of composition inspired by Claude Lorrain. Here, Wilson frames a prospect terminating in Michelangelo's great dome of St. Peter's with picturesque trees and travelers, and juxtaposes the precisely described architecture with softly rendered clouds.