木星和阿斯特拉 - 美国大都会艺术博物馆展品查阅

品名（中）	木星和阿斯特拉
品名（英）	Jupiter and Astraea
入馆年号	2003年，2003.86
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giulio Campi【1502 至 1572】【意大利人】
创作年份	公元 1540 - 公元 1555
创作地区
分类	图画（Drawings）
尺寸	页: 6 1/4 x 9 1/8 英寸 (15.9 x 23.1 厘米)
介绍（中）	根据文艺复兴时期最受咨询的神话文本奥维德的"变形记"，当人类的邪恶迫使众神放弃尘世时，正义女神阿斯特拉是最后一个逃到天堂的人，在那里她变成了处女座。在坎皮的画作中，右下角的铭文Aestrit识别的Astraea不是她的鳞片，而是与朱庇特的多情拥抱，朱庇特为了引诱她而化身为鹰。木星以他用来欺骗他的欲望对象的许多伪装而闻名，这个主题在十六世纪中叶的曼图亚在费德里科·冈萨加二世公爵的圈子里很流行。坎皮的精美绘画是一组壁画的预备研究，这些壁画代表了木星的许多爱好，大约在 1545-50 年为阿尔德加蒂宫的一个小房间绘制，该房间由一个贵族曼图安家族拥有。本页于 2003 年从伟大的学者和意大利大师绘画鉴赏家菲利普·普鲁西（Philip Pouncey，1910-1990 年）的收藏中获得。
介绍（英）	According to Ovid's 'Metamorphoses,' the most consulted mythological text in the Renaissance, when human wickedness forced the Gods to abandon the earthly realm, Astraea, the goddess of Justice, was the last to flee to the heavens where she transformed into the constellation Virgo. In Campi's drawing, Astraea, identified by an inscription at the lower right, Aestrit, is shown not with her scales but rather in an amorous embrace with Jupiter, who has taken the form of an eagle in order to seduce her. Jupiter was famous for the many guises he took to beguile his objects of desire, and this theme was popular in mid-sixteenth century Mantua in the circle of Duke Federico Gonzaga II. Campi's exquisite drawing was a preparatory study for a group of frescoes representing the many loves of Jupiter painted about 1545–50 for a small room in the Palazzo Aldegatti, which was owned by an aristocratic Mantuan family. The present sheet was acquired in 2003 from the collection of the great scholar and connoisseur of Italian master drawings Philip Pouncey (1910–1990).