山区市场，清雾 - 美国大都会艺术博物馆展品查阅

品名（中）	山区市场，清雾
品名（英）	Mountain Market, Clearing Mist
入馆年号	1913年，13.100.102
策展部门	亚洲艺术（Asian Art）
创作者	Xia Gui【1195 至 1230】【中国人】
创作年份	公元 1200 - 公元 1230
创作地区
分类	绘画（Paintings）
尺寸	9 3/4 x 8 3/8 英寸 (24.8 x 21.3 厘米)
介绍（中）	这张册页是萧湘八景之一的诗意再现。从11世纪末开始，禅宗高僧慧洪（1071-1128）创作了八首关于这一主题的诗歌后，八景成为画家们的热门主题。他的诗《山市，清起薄雾》为画家们提供了生动的图像来解读：昨夜雨停，山上空气重，蒸汽升起，日影交错，灯光在树林中变换蚕市落下帷幕，人潮渐稀，市桥旁路边杨柳：金线戏<山谷对面是谁的房子一只说话流畅的黄鸟在春风中鸣叫酒旗在朦胧的远处望去，你可以看到：这是一条通往哲树岭的路的西面山谷（Alfreda Murck，trans.，载于《心灵的图像》 [普林斯顿：艺术博物馆，普林斯顿大学，1984年]，第226页）在夏规的解读中，大胆的笔触和墨点创造了一种视觉符号的抽象语言，而不仅仅是描述性的形式：动觉的笔触，从轮廓和叶点到楔形造型笔画和水墨，它们毫不费力地改变了景观和人体形态，为潮湿的景观注入了生命。正是这种精辟简化的水墨和斧头的习惯用法为手势注入了意义，为随后的元朝富有表现力的书法革命铺平了道路。
介绍（英）	This album leaf presents a poetic evocation of one of the Eight Views of the Xiao and Xiang Rivers. The Eight Views became a popular subject for painters beginning in the late eleventh century after the Chan (Japanese: Zen) Buddhist monk Huihong (1071–1128) composed eight poems on these themes. His poem "Mountain Market, Clear with Rising Mist" offers vivid images for painters to interpret: Last night's rain is letting up, mountain air is heavy, Steam rising, sun and shadow, shifting light amid trees; The silkworm market comes to a close, the crowd thins out, Roadside willows by the market bridge: golden threads play; Whose house with flower-filled plot is across the valley? A smooth-tongued yellow bird calls in spring breeze; Wine flag in hazy distance-look and you can see: It's the one west of the road to Zhe Tree Reidge Valley. (Alfreda Murck, trans., in Images of the Mind [Princeton: The Art Museum, Princeton University, 1984], p. 226) In Xia Gui's interpretation, boldly executed brushstrokes and ink dots create an abstract language of visual signs rather than merely descriptive forms: the kinesthetic brushstrokes, which change effortlessly from outlines and foliage dots to wedge-shaped modeling strokes and ink wash, at once simplify and unify the landscape and human forms, breathing life into the moisture-drenched landscape. It was this brilliantly simplified idiom of ink wash and ax-cut brush that infused gesture with meaning, preparing the way for the expressive calligraphic revolution of the ensuing Yuan dynasty.