从后方观看哈德良皇帝陵墓（现称为卡斯特尔·S·安杰洛城堡）（罗马视图） - 美国大都会艺术博物馆展品查阅

品名（中）	从后方观看哈德良皇帝陵墓（现称为卡斯特尔·S·安杰洛城堡）（罗马视图）
品名（英）	View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views)
入馆年号	1955年，55.567.6
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giovanni Battista Piranesi【1720 至 1778】【意大利人】
创作年份	公元 1751 - 公元 1761
创作地区
分类	印刷品（Prints）
尺寸	页: 20 x 25 9/16 英寸 (50.8 x 65 厘米) Plate: 17 5/16 x 21 15/16 英寸 (44 x 55.8 厘米)
介绍（中）	皮拉内西最早的罗马景观，如波波洛广场（37.45.3.49），将主要建筑放置在一个巨大的倾斜空间的后面，充满了人类活动的多样性。到了1750年代中期，这些纪念碑更具命令性地占据了空间，从下面看，就在眼前，就像在这幅圣天使城堡的视图中一样。皮拉内西提出这一观点的同时，他正在研究他的四卷本考古论文《反罗马》（41.71.1.3.49；41.71.1.3.53），这可能是最初为这项工作准备的。图像清晰的说教性质和字体类型是AntichitàRomane的特征，尽管城堡在18世纪出现时的戏剧性景象与另一部《吠陀经》完全一致。该建筑顶部的建筑是教皇在困难时期的一个优雅而坚固的避难所——在巨大的拱门上向右延伸的走廊一直通向梵蒂冈宫。
介绍（英）	Piranesi's earliest views of Rome, such as the Piazza del Popolo (37.45.3.49), had placed the principal buildings at the back of a vast, tilted space, filled with a diversity of human activity. By the mid-1750s, the monuments fill the space more commandingly, and are seen as if from below and close at hand, as in this view of the Castel Sant'Angelo. Piranesi produced this view at the same time he was working on the Antichità Romane (41.71.1.3.49; 41.71.1.3.53), his four-volume archaeological treatise, and it may have been originally intended for that work. The clear didactic character of the image and the type of lettering are characteristic of the Antichità Romane, although the dramatic view of the castle as it appeared in the eighteenth century is entirely in keeping with the other Vedute. The buildings at the top of the structure served as a gracious and well-fortified refuge for the pope in times of trouble—the corridor that stretches to the right atop huge arches leads all the way to the Vatican Palace.