诗人戴着桂冠站在石头上 - 美国大都会艺术博物馆展品查阅

品名（中）	诗人戴着桂冠站在石头上
品名（英）	The poet, standing crowned with laurel, leaning on a stone
入馆年号	1930年，30.54.69
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jusepe de Ribera (called Lo Spagnoletto)【1591 至 1652】【西班牙人】
创作年份	公元 1620 - 公元 1621
创作地区
分类	印刷品（Prints）
尺寸	页: 6 3/8 × 4 15/16 英寸 (16.2 × 12.6 厘米) Plate: 6 1/4 × 4 13/16 英寸 (15.9 × 12.3 厘米)
介绍（中）	《诗人》身着丰盈的长袍，戴着桂冠，手握头靠在石头上，是里贝拉在艺术家职业生涯早期创作的最引人注目的形象之一。图像学是忧郁和诗歌属性的综合，学者们已经详细探索了图像学，他们发现了从瓦尔特·冯·德·沃格尔维德（Walther von der Vogelweide，1170？-1230）的诗句到彼特拉克和洛伦佐·德·美第奇的作品的文学相似之处。另一个关于诗人是维吉尔的说法似乎是合理的，特别是因为他的坟墓传统上被认为在那不勒斯。通常与骨灰安置所或鸽舍陵墓标识，位于波西利波的"石窟"或隧道上方，据称是著名诗人的墓地，至少从 16 世纪开始就是一个旅游景点。一个著名的传说是，在坟墓的顶部生长着一棵月桂树，几个世纪以来一直开花，而它的根部强行穿过石头，导致出现裂缝。
介绍（英）	Dressed in voluminous robes, crowned with laurel, and leaning on a stone with head in hand, The Poet is one of Ribera's most striking images made early in the artist's career. The iconography, a synthesis of the attributes of Melancholy and Poetry, has been explored in detail by scholars, who have found literary parallels ranging from verses by Walther von der Vogelweide (1170?–1230) to works by Petrarch and Lorenzo de' Medici. Another suggestion that the poet is Virgil seems plausible, especially since his tomb was traditionally thought to be in Naples. Generally identified with a columbarium, or dovecote mausoleum, above the 'Grotto' or tunnel of Posilipo, the purported burial place of the famous poet was a tourist attraction beginning at least in the sixteenth century. A well-known legend had it that on top of the tomb grew a bay tree that continued to blossom over the centuries while its roots forced their way through the stone, causing cracks to appear.