河上的春节 - 美国大都会艺术博物馆展品查阅

品名（中）	河上的春节
品名（英）	Spring Festival on the River
入馆年号	1947年，47.18.1
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified artist
创作年份	公元 1700 - 公元 1799
创作地区
分类	绘画（Paintings）
尺寸	11 3/4 英寸 x 33 ft. (29.8 x 1004.6 厘米)
介绍（中）	十二世纪初，宫廷艺术家张则端画了一幅手卷，描绘了春节时北宋首都汴梁（开封）。张的画作深情而细致地描述了首都居民的日常生活，成为后来四十多次唤起这一主题的典范。这个版本比宋代原版更长，构图更复杂，色彩更鲜艳，反映了苏州专业画家邱英（约1495-1552）的风格创新，他的签名被添加到最后。但是，将卷轴分配给以后的日期有几个原因。不仅执行不如邱的真品那么细致，而且增加了精致的宫殿、马术和射箭技巧的展示、皇家游行和狩猎——这些都没有出现在原作中——表明了源自康熙皇帝南巡（1662-1722 年在位）的皇家赞助纪念画的影响。
介绍（英）	In the early twelfth century the court artist Zhang Zeduan painted a handscroll depicting the Northern Song capital of Bianliang (Kaifeng) at the time of the Spring Festival (Qingming jie). Zhang's painting, which lovingly and minutely describes the daily life of the capital's inhabitants, became the paradigm for more than forty later evocations of this theme. This version, which is longer, compositionally more complex, and more brilliantly colored than the Song original, reflects the stylistic innovations of the Suzhou professional painter Qiu Ying (ca. 1495–1552), whose signature has been added at the end. But there are several reasons for assigning the scroll to a later date. Not only is the execution less meticulous than that of genuine works by Qiu, but the addition of elaborate palaces, a display of horsemanship and archery skills, an imperial procession, and a hunt— none of which appear in the original—point to the influence of imperially sponsored commemorative paintings that originated with the Southern Inspection Tour of the Kangxi emperor (r. 1662–1722).