Della Magnificenza e d‘Architettura de‘Romani（伦敦皇家古董学会会员Gio Battista Piranesi《罗马的宏伟与建筑》） - 美国大都会艺术博物馆展品查阅

品名（中）	Della Magnificenza e d‘Architettura de‘Romani（伦敦皇家古董学会会员Gio Battista Piranesi《罗马的宏伟与建筑》）
品名（英）	Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)
入馆年号	1941年，41.71.1.7
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giovanni Battista Piranesi【1720 至 1778】【意大利人】
创作年份	公元 1761 - 公元 1765
创作地区
分类	唱片集（Albums）
尺寸	整体: 22 1/16 x 16 3/4 x 2 3/4 英寸 (56 x 42.5 x 7 厘米)
介绍（中）	Giovanni Battista Piranesi的"Della Magnificenza e d‘Architettura de‘Romani"对希腊艺术和建筑是否优于罗马的持续争论做出了贡献。在17世纪50年代，知识界越来越支持希腊。皮拉内西于1756年至1757年完成了《反罗马》，当朱利安·大卫·勒罗伊于1758年出版《希腊的废墟和美丽的纪念碑》时，皮拉内塞以Della Magnificenza作为回应。皮拉内西在他的出版物中通过与勒罗伊文本中的具体例子进行比较，支持罗马建筑装饰。这就是为什么本卷中的许多图版都包含勒罗伊的视觉和文本参考本卷中还有皮拉内西对法国评论家皮埃尔·让·马里埃特（1694-1774）的回应。1764年11月4日，Mariette在《欧洲文学报》上发表了一封信，他在信中反对Della Magnificenza中表达的观点。玛丽埃特认为罗马艺术起源于希腊。皮拉内西对他的观点的回应发表于1765年，他在书中以第三人称写作，为罗马人的艺术独创性辩护。
介绍（英）	Giovanni Battista Piranesi's 'Della Magnificenza e d'Architettura de' Romani' was a contribution to the continuing debate as to whether Greek art and architecture was superior to that of Rome. In the 1750s, intellectual circles were increasingly in favor of Greece. Piranesi had completed 'Le Antichità Romane' in 1756-1757 and when Julien-David Le Roy published 'Les ruines des plus beaux monuments de la Grece' in 1758, Piranesi responded with Della Magnificenza. In his publication Piranesi argues in favor of Roman architectural ornament by drawing comparisons with specific examples from Le Roy's text. This is why many of the plates in this volume contain visual and text references to Le Roy. Also in this volume is Piranesi's response to the French critic Pierre-Jean Mariette (1694-1774). On November 4 1764, Mariette published a letter in the Gazette Littéraire de l'Europe, in which he argues against the ideas expressed in Della Magnificenza. Mariette considered Roman art to have Greek origins. Piranesi's response to his views was published in 1765, in which writing in the third person, he defends the artistic originality of the Romans.