教会的胜利：教会与教义一起呈现，坐在马车上，由教会的四位医生出席 - 美国大都会艺术博物馆展品查阅

品名（中）	教会的胜利：教会与教义一起呈现，坐在马车上，由教会的四位医生出席
品名（英）	The Triumph of the Church: Ecclesia Presented with the Doctrines, Seated in a Chariot Attended by the Four Doctors of the Church
入馆年号	2004年，2004.531
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Otto van Veen【1556 至 1629】【荷兰人】
创作年份	公元 1615 - 公元 1620
创作地区
分类	图画（Drawings）
尺寸	页: 10 1/2 x 15 5/16 英寸 (26.7 x 38.9 厘米)
介绍（中）	这幅《凯旋图》以约翰内斯·斯特拉达纳斯的类似作品为基础（见左图），由范维恩为一系列绘画做准备，这些绘画的日期约为1615-20年，代表了教堂的凯旋图，现藏于班贝格的巴伐利亚国家收藏馆。1625年左右，范的作品激发了他曾经的学生彼得·保罗·鲁本斯的灵感，当时这位佛兰德艺术家正在为圣餐凯旋系列创作一套挂毯设计 Van Veen对预备油画草图的使用可能要追溯到1570年代他在意大利的训练。尽管约阿希姆·贝克勒尔（Joachim Beuckelaer）和迪克·巴伦兹（Dick Barendsz。鲁本斯喜欢的彩色油画素描对范维恩来说是相当特殊的，他大部分作品都是棕色或灰色的，这可以从他在这面墙上的另外两幅素描中看出。
介绍（英）	This Triumph, based on a similar composition by Johannes Stradanus (see the drawing hanging to the left), was made by Van Veen preparatory to a series of paintings, dated about 1615-20, that represent the Triumphs of the Church, now in the Bavarian State Collections at Bamberg. In their turn, Van Veen's compositions inspired his one-time pupil Peter Paul Rubens in about 1625, when the Flemish artist was working on a set of tapestry designs for the Triumph of the Eucharist series. Van Veen's use of preparatory oil sketches probably goes back to his training in Italy in the 1570s. He is often credited-not entirely deservedly-for bringing the technique to the Netherlands, although it was practiced earlier by such artists as Joachim Beuckelaer (see his sketch hanging nearby) and Dick Barendsz. The colored oil sketches favored by Rubens are rather exceptional for Van Veen, who worked mostly in brown or gray, as can be seen in his two other sketches on this wall.