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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)冬季景观与猎人和他的狗
品名(英)Winter Landscape with a Hunter and his Dog
入馆年号2005年,2005.330.1
策展部门绘画和印刷品Drawings and Prints
创作者Hendrick Avercamp【1585 至 1634】【荷兰人】
创作年份公元 1600 - 公元 1699
创作地区
分类图画(Drawings)
尺寸页: 7 1/4 x 12 1/8 英寸 (18.4 x 30.8 厘米)
介绍(中)Hendrick Avercamp是荷兰黄金时代最受欢迎的画家之一,以其标志性的冬季风景画而闻名。在他自己的时代,这位艺术家就已经很受欢迎了,因此他的作品被大量复制和模仿也就不足为奇了

这幅画似乎展示了典型的埃弗坎普冰景。在左边,一名猎人和他的狗观察到另一名猎人在行动。远处,一小群人在冰面上滑冰。宽阔而低矮的地平线,天空呈现橙色和粉红色,这也是Avercamp冬季场景的特征

然而,一些风格上的财产对图纸的真实性提出了质疑。Avercamp完成的绘画中的人物的特点是在姿势的描绘上非常准确,在服装和地貌的表现上也有高度的细节;本表中缺少的方面。这名站立男子的体格明显僵硬粗糙,他和他的狗似乎都在地面上用蹄子抽打,而不是牢牢地站着。另一个显著的区别是绘画色彩的微妙程度有限。与Avercamp在其他完成的画作上发现的各种色调相比,我们的风景画作者使用了有限的调色板,他用调色板为所有三个人物上色。例如,与国立博物馆的《冰封河岸上的猎鸭者》(Duck Hunter on the Bank of a Frozen River)相比,人们还被博物馆图纸背景的有限细节所打动(阿姆斯特丹国立博物馆,RP-T1898-A-3738)。

这幅画的作者保持匿名。他或后来的主人在左下角欺骗性地添加了Avercamp的花押字。考虑到这位艺术家在他自己的时代和后来的几个世纪里的受欢迎程度,伪造艺术品本来是一项有利可图的生意。
介绍(英)Hendrick Avercamp, one of the most beloved painters of the Dutch Golden Age, is renowned for his iconic winter landscapes. Already in his own time the artist enjoyed great popularity, and it is therefore not surprising that his work was avidly copied and imitated.

This drawing seemingly shows the typical Avercamp icescape. To the left, a hunter and his dog observe another huntsman in action. In the distance, small groups of figures skate across the ice. The wide and low horizon, with the sky coloring orange and pink, is equally characteristic of Avercamp’s winter scenes.

Several stylistic properties, however, pose room for doubt about the drawing's authenticity. The figures in Avercamp’s finished drawings are characterized by a great accuracy in the rendering of posture as well as a high degree of detail in the execution of costume and physiognomy; aspects that are lacking in this sheet. The physique of the standing man is noticeably stiff and crude, and both he and his dog seem to be hoovering above the ground instead of standing firmly fixed. Another striking difference is the limited subtlety of the drawing’s coloring. Compared to the variety of hues found on other finished drawings by Avercamp, the author of our landscape used a limited palette, with which he colored all three figures. In comparison with, for example, the Rijksmuseum’s Duck Hunter on the Bank of a Frozen River, one is moreover struck by the limitedly detailed execurtion of the background of the Museum's sheet (Rijksmuseum, Amsterdam, RP-T-1898-A-3738).

The author of this drawing remains anonymous. He or a later owner deceivingly added Avercamp’s monogram in the lower left corner. Considering the artist’s popularity, both in his own days as well as in later centuries, the forgery of artworks would have been a profitable business.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。