三个女人和一个男孩的学习表 - 美国大都会艺术博物馆展品查阅

品名（中）	三个女人和一个男孩的学习表
品名（英）	Study Sheet with Three Women and a Boy
入馆年号	2005年，2005.330.16
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Rembrandt (Rembrandt van Rijn)【1606 至 1669】【荷兰人】
创作年份	公元 1633 - 公元 1644
创作地区
分类	图画（Drawings）
尺寸	页: 8 11/16 x 6 7/16 英寸 (22 x 16.4 厘米)
介绍（中）	伦勃朗经常拿起笔和纸，捕捉他在街上观察到的一个短暂的姿势或一个迷人的人物，他还画草图，画出要印刷或绘画的人物的表情或姿势。他可能从生活中画出了这张纸上的人物，但从几个角度看，老妇人的服装，以及她的姿势和中间年轻人的姿势都表明，这些最终是为了研究圣经人物。伦勃朗用几笔松散的铁胆墨水巧妙地传达了最上面的老妇人的惊讶和最中间的男人谦逊的顺从。这两幅素描都与伦勃朗1641年的版画《离开托比特家族的天使》中的人物有着松散的联系，可能代表了他对这些人物的最初想法。宽阔的笔触（在窗帘上）和更精致的线条（在顶部和右侧的老妇人的脸上）的结合是伦勃朗16世纪30年代末绘画风格的典型。
介绍（英）	Rembrandt often picked up pen and paper to capture a briefly glimpsed pose or a fascinating character he observed on the street, and he also made sketches to work out the expression or stance of figures destined for prints or paintings. He may have drawn the figures on this sheet from life, but the costume of the old woman viewed from several angles as well as her pose and the pose of the young man in the center suggest that they were ultimately intended as studies for biblical characters. In a few loose strokes of iron-gall ink, Rembrandt masterfully communicated surprise in the old woman at the top and humble submissiveness in the man at the center. Both these sketches relate loosely to figures in Rembrandt's etching The Angel Departing from Tobit's Family, dated 1641, and may represent his initial thoughts for these characters. The combination of broad pen strokes (in the drapery) and more refined lines (in the face of the old woman at the top and on the right) is typical of Rembrandt's drawing style of the late 1630s.