德基岛刚坐在樱桃树上 - 美国大都会艺术博物馆展品查阅

品名（中）	德基岛刚坐在樱桃树上
品名（英）	Dekishima Hanya Seated on a Cherry Tree
入馆年号	1911年，JP649
策展部门	亚洲艺术（Asian Art）
创作者	Torii Kiyonobu I【1664 至 1729】【日本人】
创作年份	公元 1695 - 公元 1715
创作地区
分类	印刷品（Prints）
尺寸	22 x 12 3/4 英寸 (55.9 x 32.4 厘米)
介绍（中）	德基岛寒也是十八世纪初非常受欢迎的歌舞伎女演员。在这里，我们看到他坐在一棵樱桃树上，肩上突出地展示着他的徽章或家族徽章，并在他上方盘旋。虽然他在这里没有被描绘成一个女性角色，但他穿着一件奢华的女性和服。在他那个时代，年轻人穿女装是他们时尚的标志。按照这一趋势，德基希玛穿了一件优雅的女式和服，带有花朵和兔子图案。然而，他的右袖子已经从肩上滑落，露出了一件动态设计的大飞鹰式内衣裤。Kiyonobu巧妙地操纵了披在Dekishima腿上的外衣上的兔子和披在外衣袖子上的鹰的形象，将人物的身体转变成捕食者攻击猎物的舞台。一个多世纪后，克劳德·莫奈（Claude Monet）创作了一幅他妻子的肖像画，这幅肖像画上绣着一张狰狞的武士脸，身着日本和服这项工作的日期是在18世纪初，这是由基约诺布在这里使用的坦叶纺纱技术所证实的。这项技术的特点是用红铅手工着色。
介绍（英）	Dekishima Hanya was a very popular Kabuki actor of female roles in the beginning of the eighteenth century. Here we see him seated on a cherry tree with his kamon or family crest prominently displayed on his shoulder and hovering above him. Although he is not depicted in the guise of a female character here, he is wearing a lavish woman's kimono. In his day, young men wore women's clothes as a sign of their outre fashion. Following this trend, Dekishima wears an elegant woman's kimono with a floral and rabbit pattern. His right sleeve, however, has slipped off his shoulder to reveal an inner garment with the dynamic design of a large swooping hawk. Kiyonobu skilfully manipulated the images of the rabbit of the outer garment which drapes Dekishima's legs and the hawk on the sleeve of the inner garment to transform the figure's body into the arena of a predator's attack on its prey. It was the compelling force of the "beauty and beast" imagery in prints such as this which, more than a century later, inspired Claude Monet to paint a portrait of his wife in a Japanese kimono embroidered with a ferocious warrior's grimacing face. The date of this work at the beginning of the eighteenth century is confirmed by the tan-ye technique of pirnt-making which Kiyonobu has used here. This technique is characterized by hand coloring with red lead.