圣母子与两个圣徒（recto）;《圣母怜子图》的碎片设计（反面） - 美国大都会艺术博物馆展品查阅

品名（中）	圣母子与两个圣徒（recto）;《圣母怜子图》的碎片设计（反面）
品名（英）	Virgin and Child with Two Saints (recto); Fragmentary Design of a Pietà (verso)
入馆年号	2006年，2006.106a, b
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Domenico Puligo【1492 至 1527】【意大利人】
创作年份	公元 1515 - 公元 1520
创作地区
分类	图画（Drawings）
尺寸	页: 8 1/16 x 6 1/8 英寸 (20.5 x 15.6 厘米)
介绍（中）	这幅罕见的、最近被重新发现的作品可以追溯到1515-20年，是这位艺术家最成功的幸存绘画之一。目前已知的普利戈现存画作不到30幅，这是唯一一个可以与普利戈画作设计紧密联系的幸存研究。普利戈出生于佛罗伦萨，是第一代佛罗伦萨风格主义画家的一部分，受到了他的密友、六年前的前辈安德里亚·德尔·萨托以及年轻的雅格波·蓬托莫的密切影响正如这里所见，普利戈用一支坚硬的红色粉笔画出了令人眼花缭乱的自信和大胆的标记。他很快地描绘了这些人物的轮廓，用巨大的运动和角度变化来处理它们。在中间阴影的区域，他使用了平行阴影和交叉阴影的补丁，几乎使用了红色粉笔，就像它是一支笔一样，为图案解释了一些阴影线。在阴影最深的区域，他或多或少均匀地混合了密集的笔画，而在高光最强烈的小区域（如人物面部），他将绘图向下擦除到纸张的白色，以产生光泽效果（Carmen C.Bambach，2006）
介绍（英）	Dating from 1515-20, this rare, recently rediscovered work is one of the most accomplished surviving drawings by this artist. Less than 30 extant drawings by Puligo are known today, and this the only surviving study that can be securely connected to the design of one of Puligo's paintings. Born in Florence, Puligo formed part of the first generation of Florentine Mannerist painters, being closely influenced by Andrea del Sarto, his intimate friend and elder by six years, as well as by the young Jacopo Pontormo. As is seen here, Puligo used a stick of hard red chalk to draw with a dazzling confidence and boldness of mark. He quickly traced the contours of the figures, working them over with great movement and angular breaks. In the areas of intermediate shadows, he used patches of parallel-hatching and cross-hatching, almost using the red chalk as if it were a pen, explointing some of the lines of hatching for pattern. In the areas of deepest shadow, he more or less evenly blended the thickly built-up strokes, and in the small areas of most intense highlights (as in the faces of the figures), he erased the drawing down to the white of the paper to create effects of luster. (Carmen C. Bambach, 2006)