Dōjō - 美国大都会艺术博物馆展品查阅

品名（中）	Dōjō
品名（英）	The Curfew at Dōjōji
入馆年号	1911年，JP694
策展部门	亚洲艺术（Asian Art）
创作者	Torii Kiyomitsu【1735 至 1785】【日本人】
创作年份	公元 1753 - 公元 1773
创作地区
分类	印刷品（Prints）
尺寸	12 7/32 x 17 英寸 (31.1 x 43.2 厘米)
介绍（中）	在一棵樱花树旁的平台上，一个巨大的寺庙钟声悬挂在樱花树的花枝上，一位演员再现了Kiyohime这个传奇的女性角色，她跳舞来驱除被心爱的人拒绝的痛苦。Kiyomitsu用柔和的绿色色调描绘了这一场景，这些色调完全由三色印刷工艺调制。后面的三个坐着的人物，与他们身后的三棵树相呼应，这些人物被放置在斜条纹的平台上，构成了这一戏剧性事件在重复形式中的再现。尺度和对角线的急剧变化展示了一种新的视角意识。然而，笨拙的数字堆叠和大胆条纹板的扁平效果，让观众回到了印刷品的二维表面。通过自觉地运用二维和三维之间的张力，并将装饰和建筑特征并置，Kiyomitsu打造了一种独特的新风格。
介绍（英）	On a platform by a cherry tree, from the flowering branches of which a large temple bell is suspended, an actor recreates the legendary female role of Kiyohime, who dances to exorcise the pain of rejection by her beloved. Kiyomitsu depicts this scene in subdued green tones that are fully modulated by the three-color print process. The three seated figures at the rear, echoed by the three trees behind them, and the placement of these figures on a diagonally striped platform frame the enactment of this dramtic event within a repetition of forms. The sharp shifts in scale and the diagonal lines demonstrate a new awareness of perspective. The awkward stacking of the figures and the flattening effect of the boldly striped boards, however, return the viewer to the two-dimensional surface of the print. By self-consciously employing the tension between two-and three-dimensionality, and by juxtaposing decorative and architectural features, Kiyomitsu forged a distinctly new style.