渔民拉网 - 美国大都会艺术博物馆展品查阅

品名（中）	渔民拉网
品名（英）	A Fisherman Pulling a Net
入馆年号	2006年，2006.353.1
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jean Honoré Fragonard【1732 至 1806】【法国人】
创作年份	公元 1774
创作地区
分类	图画（Drawings）
尺寸	19 3/4 × 14 3/4 英寸 (50.2 × 37.5 厘米)
介绍（中）	在18世纪的法国，许多有抱负的年轻艺术家都有机会在意大利学习，但弗拉戈纳尔有一个罕见的特权，他在权力鼎盛时期回国，这是由收藏家兼金融家皮埃尔·雅克·奥内西姆·贝尔杰雷特·德·格兰考特赞助的为期一年的旅程的一部分。1774年春天，在他们旅行的最南端，旅行团在那不勒斯湾边缘的住处住了两个月。在他们的观光之旅和社交活动之间，弗拉戈纳尔显然喜欢画当地类型的画，包括渔民和他们的妻子这两项研究（另见2006.353.2）规模异常之大，体现了弗拉戈纳尔成熟态度的成就和自信。红色粉笔不仅用来描绘形状，而且通过广泛的阴影和压力调节来放置在光影区域。尽管他们光着脚，穿着有些破旧，但渔民们还是戴着宽边帽，穿着波浪形夹克，系着腰带，塑造了一个潇洒的形象。低角度的阳光和他们摆出的略显疲惫的姿势都暗示着一天的劳动结束 Perrin Stein，2014年5月
介绍（英）	In 18th century France, many aspiring young artists were given the opportunity to study in Italy, but Fragonard had the rare privilege of returning at the height of his powers as part of a year-long voyage underwritten by collector and financier Pierre-Jacques Onésyme Bergeret de Grancourt. In the Spring of 1774, at the southernmost point of their tour, the traveling party spent two months installed at lodgings at the edge of the bay of Naples. In between their sightseeing jaunts and social engagements, Fragonard clearly relished making drawings of local types, including fishermen and their wives. Drawn on an unusually large scale, this pair of studies (see also 2006.353.2) embodies the accomplishment and confidence of Fragonard’s mature manner. Red chalk is used not only to delineate form, but to lay in areas of light and shadow through broad hatching and modulation of pressure. Despite their bare feet and somewhat ragged attire, the fishermen cut dashing figures with their broad-brimmed hats, billowy jackets, and looped-over sashes. The low angle of the sunlight and the slight weariness of their poses are both suggestive of end of the day labor. Perrin Stein, May 2014