海边有鸽子和树的房子 - 美国大都会艺术博物馆展品查阅

品名（中）	海边有鸽子和树的房子
品名（英）	A House with a Dovecote and Trees by the Sea
入馆年号	2006年，2006.393.4
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Gherardo Cibo【1512 至 1600】【意大利人】
创作年份	公元 1520 - 公元 1600
创作地区
分类	图画（Drawings）
尺寸	页: 5 1/8 x 8 1/8 英寸 (13 x 20.6 厘米)
介绍（中）	从自然角度仔细研究，这项景观研究以流动的视角或鸟瞰图描绘了一座有鸽子的房子，平静的海边有树木，点缀着小船。这幅作品在右下方用钢笔和深棕色墨水错误地注释了："E.Duperac"。在左上方用钢笔和棕色墨水书写了："crozat"。这幅显然是正确的地形图，是一本肢解的素描本上的一页；众所周知，这位艺术家在蓝纸上绘制了许多松散的此类图纸。这位艺术家实际上是二十世纪晚期艺术史学家的发现。他现在被正确地识别为Gherardo Cibo，但在20世纪70年代末，他被重新研究时，以及荷兰学者Jaap Bolten将一组重要的绘画作品与他联系在一起时，他曾被错误地称为"Messer Ulisse Severino da Cingoli" 众所周知，这位艺术家虽然出生于热那亚，但出身于马尔凯家族的贵族家庭。他可能从未在罗马或佛罗伦萨工作过，但却是巴洛克早期最博学的业余艺术家植物学家之一。他令人愉快的精确绘图与现代早期自然主义插画史特别相关。虽然博物馆拥有一幅由Gherardo Cibo绘制的画作（别名"Messer Ulisse Severino da Cingoli"，编号80.3.385），但目前的例子更为细致地绘制在蓝色纸张上，更具有他的手的特点。这本速写本的许多相关页可以统计（包括Leiden Pretenkabinet inv.no.AW 441；AW 953；布拉格国家美术馆；原收藏于Federico Zeri，罗马；Pierpont Morgan Library inv.1962.13；三张原收藏于纽约Muensterberger收藏；原收藏在Hans Schaeffer，纽约）（C.C.B.）
介绍（英）	Carefully studied from nature, this landscape study in a roving perspective or bird's-eye view portrays a house with a dovecote and trees by the calm sea with dotted with little boats. The composition is erroneously annotated in pen and dark brown ink at lower right: "E. Duperac." The verso is annotated at upper left in pen and brown ink script: "crozat." This apparently topographically correct drawing was a page from a dismembered sketchbook; numerous loose such drawings on blue paper by the artist are known. This artist is virtually a discovery by late-twentieth-century art historians. He is now correctly identified as Gherardo Cibo, but was for a brief two decades since the late 1970s mistakenly called "Messer Ulisse Severino da Cingoli," when he was being restudied, and when an important corpus of drawings was associated with him by the Dutch scholar Jaap Bolten. As one now knows, although born in Genoa, the artist was of a noble family from the Marches. He probably never worked in Rome or Florence, but was one of the most learned amateur artist-botanists of the early Baroque period. His delightfully precise drawings are of particular relevance to the history of Naturalist illustration in the early modern period. While the Museum owns one drawing attributed to Gherardo Cibo (alias "Messer Ulisse Severino da Cingoli," no. 80.3.385), the present example is more meticulously drawn on blue paper, and is more characteristic of his hand. Numerous related pages of this sketchbook may be counted (including Leiden Prentenkabinett inv. nos. AW 441; AW 953; National Gallery, Prague; formerly in collection of Federico Zeri, Rome; Pierpont Morgan Library inv. 1962.13; three sheets formerly in Muensterberger collection, New York; formerly in collection of Hans Schaeffer, New York). (C.C.B.)