身穿盔甲的站立女性人物拔剑（Minerva或Bellona） - 美国大都会艺术博物馆展品查阅

品名（中）	身穿盔甲的站立女性人物拔剑（Minerva或Bellona）
品名（英）	Standing Female Figure in Armor Drawing Her Sword (Minerva or Bellona)
入馆年号	2006年，2006.393.21
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Parmigianino (Girolamo Francesco Maria Mazzola)【1503 至 1540】【意大利人】
创作年份	公元 1530 - 公元 1540
创作地区
分类	图画（Drawings）
尺寸	页: 7 13/16 x 4 5/16 英寸 (19.8 x 10.9 厘米)
介绍（中）	这幅素描显示了女神密涅瓦戴着羽毛头盔，身穿古典式短裙，站在四分之三的视野中，面朝左，准备从皮草中拔出她的剑。这些图纸被认为是为一尊古典战士的小雕像做准备的，该雕像被描绘为1535-38年Parmigianino的《圣塞孔多伯爵Pier Maria Rossi的肖像》（马德里普拉多博物馆）中右侧的一个细节，另一项相关研究在那不勒斯的卡波迪蒙特博物馆进行。然而，与绘画细节相比，目前的草图显示，这个人物明显是女性，身体比例更大。正如Parmigianino晚期绘画的典型作品一样，现在的草图是用精细的笔绘制的大胆、弯曲的平行阴影。在这一点上，它与1534-40年的小规模钢笔素描完全可以相提并论，其中几幅与帕尔米加尼诺晚期杰作有关的素描在博物馆2000-2001年的展览"文艺复兴时期的Correggio和帕尔米加尼诺绘图大师"中展出。在圣杰罗姆（牛津阿什莫林博物馆），一张纸的背面有一尊古典雕像的草图，上面有长颈圣母的想法（纽约皮尔庞特·摩根图书馆），还有温莎的两张小纸，一张画的是古典头像，另一张是土星和菲拉的作品（RL inv.0526和0563）。
介绍（英）	This figure sketch shows the goddess Minerva in plumed helmet and skirted Classical armor standing in three-quarter view facing left about to draw her sword from the scubbard. The drawings is thought to have been preparatory for the statuette of a Classical warrior depicted as a detail at right in Parmigianino’s Portrait of Pier Maria Rossi, Count of San Secondo dated to 1535-38 (Museo del Prado, Madrid), for which another related study is in the Museo di Capodimonte, Naples. In comparison to the painted detail, however, the present sketch shows the figure as quite evidently female and with broader bodily proportions. As is typical of Parmigianino's late drawings, the present sketch is executed with bold, curved parallel hatching done with a fine pen. It is exactly comparable in this to the small-scale pen sketches of 1534-40, of which several related to Parmigianino's late masterpieces were shown in the Museum's 2000-2001 exhibition, "Correggio and Parmigianino Master Draughtsmen of the Renaissance." Closely similar examples of this technique of pen drawing are found in the studies for St. Jerome (Ashmolean Museum, Oxford), the sketches of a Classical statue on the verso of a sheet with ideas for the Madonna of the Long Neck (Pierpont Morgan Library, New York), and two small sheets in Windsor, one portraying Classical heads and the other a composition of Saturn and Philyra (RL inv. 0526 and 0563).