带两个婴儿的经典女性形象（戴安娜或维纳斯） - 美国大都会艺术博物馆展品查阅

品名（中）	带两个婴儿的经典女性形象（戴安娜或维纳斯）
品名（英）	Classical Female Figure (Diana or Venus) with Two Infants
入馆年号	2006年，2006.393.25
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Francesco Primaticcio【1504 至 1570】【意大利人】
创作年份	公元 1534 - 公元 1547
创作地区
分类	图画（Drawings）
尺寸	页: 9 15/16 x 7 15/16 英寸 (25.2 x 20.1 厘米)
介绍（中）	意大利艺术家Primaticcio在其职业生涯早期前往法国，为法国国王弗朗西斯一世工作。尽管Primaticcio的大部分精力都用于装饰枫丹白露的伟大宫殿，但目前的图纸可能是为安内特（Anet）绘制的，这是为亨利二世的情妇黛安·德·普瓦捷（Diane de Poitiers，1499-1566）建造的城堡。画中的主要人物可能是戴安娜：虽然她没有头上的新月冠的属性，但她指着左上角的新月。黛安·德·普瓦捷（Diane de Poitiers）经常通过对狩猎女神戴安娜（Diana）及其属性的描绘来暗示。或者，这幅画的主题在1986年出版时被初步确定为与爱神和安特罗斯的维纳斯 Primaticcio与他在Anet的工作有关的另外三幅画幸存下来; 它们的大小相同，用浅棕色墨水和水洗以同样精致的方式执行。像这幅画一样，它们描绘了神话女神戴安娜故事中的场景，有人认为它们是一系列彩色玻璃窗。对轮廓的强调和大胆、简单的设计证实了这一想法。这张纸由一位著名的早期收藏家用钢笔和深棕色墨水在左下角注释："228。在中间的反面："cxlij"以释义结尾。迄今为止没有注意到的是，这张纸包含一个水印，中间被左边框裁剪，描绘了一串风格化的葡萄（最接近煤球 13073）。它是里昂制造的典型纸张，约1565年;这种类型的水印的更多自然变体可以追溯到 15 世纪后期。
介绍（英）	The Italian artist Primaticcio went to France early in his career to work for the French king, Francis I. Although most of Primaticcio's energies went into decorating the great palace of Fontainebleau, the present drawing was probably executed for Anet, the château built for Henry II's mistress, Diane de Poitiers (1499-1566). The main figure in the drawing may be Diana: although she lacks her attribute of the crescent crown on her head, she points at the crescent moon at upper left. Diane de Poitiers, was frequently alluded to through the portrayals of Diana, goddess of the hunt, and her attributes. Alternatively, the subject of the drawing was tentatively identified as Venus with Eros and Anteros, when published in 1986 Three other drawings by Primaticcio relating to his work at Anet survive; they are the same size and are executed in the same delicate manner with light brown ink and wash. Like this drawing, they illustrate scenes from the story of the mythological goddess Diana, and it has been suggested that they were for a series of stained-glass windows. The emphasis on outline and the bold, simple design corroborate this idea. The sheet is annotated by a well-known early collector in pen and dark brown ink at lower left: "228."; and on verso at center: "cxlij" terminating in a paraph. Hitherto unnoticed, the paper contains a watermark, cropped down the middle by the left border, depicting a stylized bunch of grapes (closest to Briquet 13073). It is typical of paper manufactured in Lyons, ca. 1565; more naturalistic variants of this type of watermark date to the late 15th century.