一川EbizōIV在剧中饰演武村贞男 - 美国大都会艺术博物馆展品查阅

品名（中）	一川EbizōIV在剧中饰演武村贞男
品名（英）	Ichikawa Ebizō IV as Takemura Sadanojō in the Play Koinyōbō Somewake Tazuna
入馆年号	1936年，JP2650
策展部门	亚洲艺术（Asian Art）
创作者	Tōshūsai Sharaku【1794 至 1795】【日本人】
创作年份	公元 1794
创作地区
分类	印刷品（Prints）
尺寸	14 7/16 x 9 1/3 英寸 (36.7 x 23.7 厘米)
介绍（中）	在这幅肖像画中，这是沙拉库最著名的作品之一，Ebizō 在无法忍受的道德冲突时刻扮演了一个非常正直的武士。事实上，在接下来的时刻，他将犯下切腹，或开膛破肚自杀，以维护他的荣誉。Ebizō意识到自己不可避免的命运在他的手中显而易见，他的双手因巨大的紧张而紧握，而他的眼睛似乎从一张被致命困境的痛苦所摧毁的脸上窥视。Sharaku 安排了帷幔褶皱，以放大手所表达的痛苦，并协调构图的两个焦点——手和眼睛之间的过渡。在十八世纪后期，这位演员是歌舞伎世界中最负盛名的职位"市川团十郎"这个名字的第四个持有者。由于他更喜欢自己的个人名字，所以在这幅肖像的右上角用画笔刻上了"Ebizō"，这是这幅版画现存印象中唯一的此类铭文。
介绍（英）	In this portrait, one of Sharaku's most famous works, Ebizō Is acting the part of a samurai warrior of tremendous integrity at a moment of insufferable moral conflict. Indeed, in the succeeding moment he will commit seppuku, or suicide by disembowelment, to preserve his honor. Ebizō's realization of his inescapable fate is apparent in his hands, which are clenched with enormous tension, while his eyes seem to peer out of a face devastated by the pain of his fatal dilemma. Sharaku has arranged the drapery folds to amplify the anguish expressed by the hands and orchestrate the transition between the two focal points of the composition—the hands and eyes. In the late eighteenth century, this actor was the fourth holder of the name "Ichikawa Danjūrō," the most prestigious position in the world of Kabuki. Since he preferred his personal name, "Ebizō" was inscribed by brush on the upper right corner of this portrait, the only such inscription among extant impressions of this print.