从Onmaya堤岸（Onmayagashi yori Ryōgokubashi sekiyōo miru）观看RyĴgoku大桥上的日落，来自富士山三十六景系列（Fugaku sanjūrokkei） - 美国大都会艺术博物馆展品查阅

品名（中）	从Onmaya堤岸（Onmayagashi yori Ryōgokubashi sekiyōo miru）观看RyĴgoku大桥上的日落，来自富士山三十六景系列（Fugaku sanjūrokkei）
品名（英）	Viewing the Sunset over Ryōgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
入馆年号	1939年，JP2997
策展部门	亚洲艺术（Asian Art）
创作者	Katsushika Hokusai【1760 至 1849】【日本人】
创作年份	公元 1820 - 公元 1842
创作地区
分类	印刷品（Prints）
尺寸	9 5/8 x 14 3/4 英寸 (24.4 x 37.5 厘米)
介绍（中）	从远处的琉球桥（Ryōgoku Bridge）的景色来看，北草斋（Hokusai）专注于一艘渡轮，船上载着各种各样的商人、僧侣和一只捕鸟人——通过他携带的高杆可以识别——下班后回家。随着夜晚逐渐笼罩在夜空中，渡轮上的乘客们在他们宽大的帽子下点头，或者凝视着远处的大桥，情绪变得低沉起来。虽然前景是用蓝线技术清晰地定义的，但桥梁、船只和远海岸的背景视图是以无声的灰色和绿色的无线剪影形式执行的。黄昏把河景投进了梦幻般的宁静之中一个紧张的音符被针尖的捕鸟杆插入天空。这种垂直元素与富士山低矮的金字塔形成对比，深深的靛蓝色蚀刻在天空中。富士山虽然很小，但在这张照片中却有着强大的影响力，这张照片是"三十六景富士山"系列的一部分。然而，与这一传统象征形成鲜明对比的是Ryōgoku大桥的优雅轮廓，这是现代江户工程技术的令人印象深刻的见证。
介绍（英）	With the view of Ryōgoku Bridge in the distance, Hokusai focuses on a ferry carrying an assortment of merchants, monks, and a bird catcher—identifiable by the tall rod he carries—home after a day's work. The mood is subdued as night gradually overtakes the evening sky and the ferry's passengers nod beneath their broad hats or gaze at the distant bridge. While the foreground is sharply defined in the aizuri blue-line technique, the background view of the bridge, boats, and far shore is executed in lineless silhouetted forms of mute grey and green. Twilight has cast the river view in a dreamy hushed tone. A note of tension is inserted by the needle-sharp bird catcher's rod shooting in the sky. This vertical element is played off against the squat pyramid of Mount Fuji, etched against the sky in deep indigo blue. Though small, Mount Fuji commands a strong presence in this picture, which is part of a series of "Thirty-six Views of Mount Fuji." Contrasted to this symbol of tradition, however, is the elegant silhouette of Ryōgoku Bridge, impressive testimony of modern Edo engineering know-how.