在回音山下划船 - 美国大都会艺术博物馆展品查阅

品名（中）	在回音山下划船
品名（英）	Boating beneath Echo Hill
入馆年号	2002年，2002.208.1
策展部门	亚洲艺术（Asian Art）
创作者	Mei Qing【1623 至 1697】【中国人】
创作年份	公元 1673
创作地区
分类	绘画（Paintings）
尺寸	图像: 53 英寸 × 23 1/4 英寸 (134.6 × 59.1 厘米) 整体 with mounting: 9 ft. 5 1/2 英寸 × 32 1/4 英寸 (288.3 × 81.9 厘米) 整体 with knobs: 9 ft. 5 1/2 英寸 × 36 1/4 英寸 (288.3 × 92.1 厘米)
介绍（中）	梅青出生于安徽省宣城市的一个显赫家庭。遵循家族的奖学金传统，梅于1654年通过了省（居仁）公务员考试，并前往首都参加了首都（进士）考试，他参加了四次考试，但都没有通过，然后于1667年放弃。梅回到家乡，参与了当地的学术活动，并参加了画家石涛（1642-1707）所属的诗歌和绘画协会这幅画是为了纪念梅和家人朋友去回声山（香山）的一次郊游。梅和一些参与者在画作上题诗，以进一步庆祝这一时刻。尽管收件人的名字已经被抹去，但安徽黄山地区著名画家郑敏（1633-1683）的两枚印章表明，这枚印章可能是为他准备的在他的整个职业生涯中，梅从实际的地形特征中获得了灵感。在这里，他强调了回声山陡峭的悬崖面悬在河上。尽管这是一幅相对早期的作品，但这幅画展现了梅的古怪风格的特征：一种不平衡的构图，由悬崖的有力推进形状和对对比鲜明的墨水色调和纹理的兴趣所激发，从精致的草叶和深色墨水叶点衬托出风景的干笔轮廓线可以看出。
介绍（英）	Mei Qing was born into a prominent family in Xuancheng, Anhui Province. Following the family tradition of scholarship, Mei passed the provincial (jüren) civil-service examination in 1654 and traveled to the capital to sit for the capital (jinshi) examination, which he took and failed four times, before giving up in 1667. Mei returned home and became involved in local scholarly pursuits and participated in a poetry and painting society to which the painter Shitao (1642–1707) also belonged. This painting commemorates an outing that Mei and family members and friends made to Echo Hill (Xiangshan). Mei and some of the participants inscribed poems on the painting to further celebrate the occasion. Although the name of the recipient has been effaced, two seals belonging to Zheng Min (1633–1683), a noted painter from the Yellow Mountain region of Anhui, suggest that it may have been intended for him. Throughout his career, Mei drew inspiration from actual topographic features. Here, he emphasizes Echo Hill’s precipitous cliff face overhanging the river. Although a relatively early work, the painting exhibits the hallmarks of Mei’s eccentric style: an unbalanced composition animated by the powerful thrusting shape of the cliff and an interest in contrasting ink tones and textures, as seen in the way the dry-brush contour lines of the landscape are set off by the delicate blades of grass and dark ink foliage dots.