圣伊莉莎白和施洗约翰的神圣家庭 - 美国大都会艺术博物馆展品查阅

品名（中）	圣伊莉莎白和施洗约翰的神圣家庭
品名（英）	Holy Family with St. Elizabeth and St. John the Baptist
入馆年号	1949年，49.95.1713
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jan Muller【1571 至 1628】【荷兰人】
创作年份	公元 1588
创作地区
分类	印刷品（Prints）
尺寸	36.8 x 29.2 厘米
介绍（中）	圣伊丽莎白和施洗者圣约翰是扬穆勒最早的版画之一。虽然这个主题没有特别出现在圣经中，但它从中世纪开始就非常流行。该设计基于阿姆斯特丹画家Dirck Barendsz丢失的作品。这些人物占据了前景：在一棵三角形的树下分组，圣约瑟夫在顶点，玛丽的堂兄和浸信会的母亲伊丽莎白在左边，玛丽在中间的右边，婴儿基督在她的膝盖上，她的手臂伸过圣约翰的肩膀，呈下降线。这幅画由穆勒的父亲哈门·扬斯（Harmen Jansz）出版。穆勒和他的名字和巴伦兹的名字。包含在作品下方的标题空间中，但缺少 Jan Muller 的名字。此时的他，是一个默默无闻的人物，仍然以传统风格工作。后来，他接受了源自荷兰最重要的风格主义版画家亨德里克·戈尔齐乌斯（Hendrick Goltzius）的勇敢雕刻技术，后来使他成名。
介绍（英）	The Holy Family with St. Elizabeth and St. John the Baptist is one of Jan Muller’s earliest engravings. Although the subject does not specifically appear in the Bible, it was extremely popular from the Middle Ages onward. The design is based on a lost composition by the Amsterdam painter Dirck Barendsz. The figures dominate the foreground: grouped under a tree in a triangle, with St. Joseph at the apex, Elizabeth, Mary’s cousin and mother of the Baptist at the left and Mary just right of center, the Infant Christ on her knee, and her arm extending across St. John’s shoulder, in a descending line. The print was published by Muller’s father, Harmen Jansz. Muller and his name and that of Barendsz. are included in the title space below the composition, but Jan Muller’s name is missing. He was, at this time, an unknown figure, still working in a traditional style. He later embraced the bravura engraving technique derived from Hendrick Goltzius, -- the foremost Mannerist printmaker in the Netherlands -- which later made him famous.