苏莱曼苏丹通过阿特梅丹从图尔茨（土耳其海关和时尚） - 美国大都会艺术博物馆展品查阅

品名（中）	苏莱曼苏丹通过阿特梅丹从图尔茨（土耳其海关和时尚）
品名（英）	Procession of Sultan Süleyman through the Atmeidan from the frieze Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks)
入馆年号	1928年，28.85.7a, b
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Pieter Coecke van Aelst【1502 至 1550】【荷兰人】
创作年份	公元 1553
创作地区	发布于: 荷兰（法兰德斯）, 安特卫普？（Published in: The Netherlands (Flanders), Antwerp?）
分类	印刷品（Prints）
尺寸	页: 13 7/8 × 34 3/8 英寸 (35.2 × 87.3 厘米)
介绍（中）	在君士坦丁堡城的全景之前，一支长长的队伍正蜿蜒走向左侧地平线上有尖塔的法提赫（"征服者"）清真寺。它是奥斯曼征服君士坦丁堡的苏丹穆罕默德二世的陵墓。经过竞技场的骑手中最重要的是苏丹苏莱曼大帝（Sultan Süleyman the Magnificent）（约1494–1566年），在右边以严格的轮廓显示。这幅图像是佛兰德艺术家彼得·范阿尔斯特（Pieter van Aelst，the Younger）创作的一幅由七个场景组成的、长约15英尺的广泛雕带的一部分。在广阔的城市视野之前，对外国人民的风俗和场景的自然主义渲染在当时的荷兰艺术中是前所未有的。它为学者们提供了宝贵的证据，不仅证明了奥斯曼建筑的外观，也证明了1453年君士坦丁城陷落后君士坦丁城的主要纪念碑的外观。跑马场周围的建筑经过了浓缩，并稍微重新排列，以符合图像，但许多都是可识别的。拜占庭的纪念碑之一是位于右侧地平线上的圣索菲亚教堂；它就在狄奥多西（公元379-95年在位）在竞技场竖立的埃及方尖碑的左侧可见。君士坦丁（Constantine）（公元306–37年在位）竖立的扭曲蛇形柱位于苏丹身后的右侧。索菲亚大教堂左侧的大型塔楼可能是热那亚人建造的Galata塔楼 1533年，凡·埃尔斯特前往君士坦丁堡；他似乎是总部位于布鲁塞尔的Dermoyen公司派出的一支探险队的一员，该公司是为了向苏丹出售挂毯进行谈判。该公司可能一直希望Süleyman能够与西方君主竞争，委托制作一套装饰其统治的挂毯，可能是基于这幅雕带的设计。挂毯委员会似乎从未实现。范·艾尔斯特的遗孀在丈夫前往君士坦丁堡期间或之后不久创作了木刻雕带二十年后出版了这幅作品。
介绍（英）	Before the panorama of the city of Constantinople, a lengthy procession is depicted winding its way toward the minareted Fatih ("Conqueror") Mosque on the left horizon. It houses the tomb of Sultan Mehmed II, the Ottoman conqueror of Constantinople. Most significant among the riders who file past the Hippodrome is Sultan Süleyman the Magnificent (ca. 1494–1566), shown in strict profile on the right. This image is part of an extensive frieze composed of seven scenes and measuring about fifteen feet in length created by the Flemish artist Pieter van Aelst, the Younger. The naturalistic rendering of the customs and scenes of foreign people before an expansive city view was unprecedented in Netherlandish art at the time. It has served scholars as valuable testimony to the appearance not only of Ottoman architecture but also of the major monuments of Constantine's city following its fall in 1453. The buildings around the Hippodrome have been condensed and slightly rearranged to fit the image, but many are identifiable. Among the monuments of Byzantium is the Church of Hagia Sophia on the right horizon; it is visible just to the left of the Egyptian obelisk erected in the Hippodrome by Theodosius (r. 379–95). The column with the twisted serpents erected by Constantine (r. 306–37) is on the right just behind the sultan. The large tower to the left of Hagia Sophia may be the Galata Tower constructed by the Genoese. Van Aelst traveled to Constantinople in 1533; he appears to have been part of an expedition sent by the Brussels-based Dermoyen firm to negotiate a sale of tapestries to the sultan. The firm may have been hoping that Süleyman, wanting to rival Western monarchs, would commission a set of tapestries glorifying his reign, possibly based on the designs rendered in this frieze. The tapestry commission appears never to have materialized. Van Aelst's widow published the woodcut frieze twenty years after her husband executed the designs created during or soon after his journey to Constantinople.