喇嘛和马哈西达出席的Jnanatapa肖像 - 美国大都会艺术博物馆展品查阅

品名（中）	喇嘛和马哈西达出席的Jnanatapa肖像
品名（英）	Portrait of Jnanatapa Attended by Lamas and Mahasiddhas
入馆年号	1987年，1987.144
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1340 - 公元 1360
创作地区
分类	绘画（Paintings）
尺寸	27 x 21 1/2 英寸 (68.6 x 54.6 厘米)
介绍（中）	这幅肖像是为西藏东部的日窝寺创作的，该寺是德隆寺的一个分支。中心人物和组装的住持没有直接在画上命名。尽管如此，有两个铭文允许传承识别：绰号Jnanatapa（"智慧之热"）出现在画的面纱上，这个名字表示着名的印度大佛，密宗佛教的精神之父。二是中央人物之上的主神身份，命名为阿瓦嘎巴。這兩條線索的重要性從它們在德隆寺院的官方歷史中得到揭示，它說Riwoche寺院的第一任住持是"無與倫比的摩诃西達Jnanatapa"的化身，他的密宗老師是孟加拉悉達的Avagarbha。因此，这幅肖像旨在通过摩诃悉达·贾纳纳塔帕（mahasiddha Jnanatapa）的人来唤起德隆和里沃切寺院的精神传承。
介绍（英）	This portrait was created for Riwoche monastery in eastern Tibet, a branch of Taklung monastery. The central figure and the assembled abbots are not directly named on the painting. Nonetheless, two inscriptions allow a lineage identification: the epithet Jnanatapa (“heat of wisdom”) appears on the painting’s veil, a name denoting a famous Indian mahasiddha, the spiritual fathers of Tantric Buddhism. The second is the identity of presiding deity above the central figure, named as Avagarbha. The importance of these two clues is revealed by their presence in the official history of Taklung monastery, which tells that the first abbot of Riwoche monastery was an incarnation of “the peerless mahasiddha Jnanatapa” and that his Tantric teacher was Avagarbha, a Bengal siddha. Hence, this portrait is intended to invoke the spiritual lineage of Taklung and Riwoche monasteries through the person of mahasiddha Jnanatapa.