女士要抽大麻 - 美国大都会艺术博物馆展品查阅

品名（中）	女士要抽大麻
品名（英）	Lady About to Smoke a Hookah
入馆年号	1975年，1975.192.3
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1780 - 公元 1800
创作地区
分类	绘画（Paintings）
尺寸	7 x 5 英寸 (17.8 x 12.7 厘米)
介绍（中）	18世纪下半叶旁遮普山的绘画深深地归功于该世纪早期的莫卧儿绘画风格。帕哈里的艺术家们熟练地描绘了虚幻的空间、人物和面部类型的理想比例，以及莫卧儿晚期风格的自然描绘。尽管帕哈里（山丘州）的风格比同时代的拉贾斯坦邦绘画更为自然主义，但每一种传统都使用了大量的线条来创作图像。例如，在这个例子中，年轻女主人公的身体结构的每个特征都是一条简单的曲线，从前臂内侧的缓坡到胸部的圆形或小腿的向后平缓这幅未充分绘制的作品展示了艺术家创作这幅画时的一些思考过程。他把亭子移到右边，降低了画面的底边，并改变了女主人公的腿、上臂和躯干的位置。如果艺术家完成了这幅画，这些变化的记录以及无数精细的细节都会被一层色彩和一幅精细控制的成品画抹去。
介绍（英）	Painting from the Punjab Hills in the second half of the eighteenth century was deeply indebted to earlier Mughal painting styles of that century. Pahari artists became skilled in rendering the illusionistic space, idealized proportions of figures and facial types, and more naturalistic depiction of nature that characterized the late Mughal style. Although the Pahari (hill states) style was more naturalistic than that of contemporaneous Rajasthani painting, each tradition used a stock repertoire of lines to create images. In this example, each feature of the young heroine's anatomy, for example, is a simple curve, from the gentle slope of her inner forearm to the rounds of her breasts or the gentle backward s of her calf. This underdrawing shows something of the artist's thought process as he composed the picture. He has shifted the pavilion to the right,lowered the bottom edge of the picture, and changed the position of his heroine's legs, upper arms, and torso. Had the artist finished the painting, the record of these changes as well as the numerous finely wrought details would have been effaced by a layer of color and by a finely controlled finished drawing.