比坎纳王子帕达姆·辛格和他的吟游诗人戈尔达在夜晚的露台上 - 美国大都会艺术博物馆展品查阅

品名（中）	比坎纳王子帕达姆·辛格和他的吟游诗人戈尔达在夜晚的露台上
品名（英）	Prince Padam Singh of Bikaner with His Bard Gordhar on a Terrace at Night
入馆年号	2019年，2019.445.3
策展部门	亚洲艺术（Asian Art）
创作者	Bhavani Das【印度人】
创作年份	公元 1715 - 公元 1735
创作地区
分类	绘画（Paintings）
尺寸	图像 8 1/8 x 11 1/8 英寸 (20.6 x 28.3 厘米) Page 11 5/8 x 13 7/8 英寸 (29.5 x 35.2 厘米)
介绍（中）	基尚格尔绘画画派出现在十八世纪初，可能是受到穆罕默德·沙阿在德里登基时正在寻找工作的莫卧儿工作室训练的艺术家过剩的刺激。最初，基尚格尔宫廷风格模仿了同时代莫卧儿王朝的作品，但在 1719 年从德里抵达宫廷的画家巴瓦尼·达斯的启发指导下，它很快就呈现出独特的特征。早期的Kishangarh学校在Bhavani Das和他的儿子Dalchand的领导下蓬勃发展。这项工作没有署名，但它在捕捉个体相貌和两个人物之间的心理相互作用方面的技巧，可以自信地分配给巴瓦尼·达斯或达尔昌德。背面用印地语和波斯语刻有它，命名了这两个人物，并将戈尔达尔描述为"好歌的歌手"。场景设置在一个带有低矮的白色大理石栏杆的宫殿露台上，在傍晚的余晖中俯瞰着银色的湖泊。
介绍（英）	The Kishangarh school of painting emerged in the early eighteenth century, likely stimulated by a surplus of Mughal atelier-trained artists who were seeking employment at the time of the accession of Muhammad Shah in Delhi. Initially the Kishangarh court style emulated that of contemporaneous Mughal production, but under the inspired directorship of the painter Bhavani Das, who arrived at the court from Delhi in 1719, it quickly assumed a distinctive character. The early Kishangarh school flourished under Bhavani Das and his son Dalchand. This work is unsigned but such is its skill in capturing individual physiognomies and the psychological interplay between the two figures that it may confidently be assigned to either Bhavani Das or Dalchand. It is inscribed on the reverse in both Hindi and Persian, naming the two figures, and characterizing Gordhar as “a singer of good songs.” The scene is set on a palace terrace with a low white marble balustrade, overlooking a silvered lake in the afterglow of an early evening.