坎伯兰修女院 - 美国大都会艺术博物馆展品查阅

品名（中）	坎伯兰修女院
品名（英）	At Nunnery in Cumberland
入馆年号	2008年，2008.213
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Joseph Farington【1747 至 1821】【英国人】
创作年份	公元 1786
创作地区	原产国: 大不列颠联合王国（Country of Origin: United Kingdom）
分类	图画（Drawings）
尺寸	页: 15 7/8 x 14 3/4 英寸 (40.3 x 37.4 厘米)
介绍（中）	法灵顿是一位领先的风景绘图员，曾在理查德·威尔逊（Richard Wilson）手下接受过培训，然后作为一名成熟的艺术家，每年夏天都会在英国各地旅行和素描。基于他的设计的Aquatint系列包括"坎伯兰和威斯特摩兰的湖泊景观"（1789年）和"泰晤士河的历史"（1794-1796年），并帮助形成了风景如画的风景。作为一名院士，法灵顿活跃的人际网络在新成员的选举中发挥了重要作用，这一过程在他现在著名的日记中详细介绍，写于 1798 年至 1817 年之间。这幅阿格里昂比家族庄园尼姑庵附近的克罗格林河的画是有色绘画技术的一个成功例子。石墨底图覆盖着精致的蓝色和灰色水洗，用于定义形式，然后用笔墨进行详细说明，这种风格源于意大利大师，例如从 1746 年开始在英国生活了近十年的卡纳莱托。法灵顿于1790年在皇家学院展出了这幅画。
介绍（英）	Farington was a leading landscape draftsman who had trained under Richard Wilson then, as a mature artist, traveled and sketched throughout Britain every summer. Aquatint series based on his designs include "Views of the Lakes in Cumberland and Westmorland" (1789), and "An History of the River Thames" (1794-1796), and helped to form the taste for picturesque landscape. As an academician, Farington’s active networking played an important part in the election of new members, a process detailed in his now famous diary, written between 1798 and 1817. This drawing of the River Croglin near Nunnery, the estate of the Aglionby family is an accomplished example of tinted drawing technique. Graphite under-drawing is overlaid with delicate blue and gray washes, used to define forms which are then detailed in pen and ink, a style derived Italian masters such as Canaletto, who lived in England for nearly a decade from 1746. Farington exhibited this drawing at the Royal Academy in 1790.