Isis（Liber Studiorum，第十四部分，板68） - 美国大都会艺术博物馆展品查阅

品名（中）	Isis（Liber Studiorum，第十四部分，板68）
品名（英）	Isis (Liber Studiorum, part XIV, plate 68)
入馆年号	1928年，28.97.68
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Joseph Mallord William Turner【1775 至 1851】【英国人】
创作年份	公元 1819
创作地区
分类	印刷品（Prints）
尺寸	plate: 7 1/16 x 10 5/16 英寸 (17.9 x 26.2 厘米) 页: 8 1/4 x 11 7/16 英寸 (21 x 29.1 厘米)
介绍（中）	特纳在1807年至1819年间出版的《研究之书》（拉丁语为Book of Studies）中提炼了他对风景的看法，该书共有70幅版画和一幅正面作品。为了确定构图，他绘制了棕色水彩画，然后在铜板上蚀刻轮廓。专业雕刻师通常在特纳的指导下发展色调，Say在这里添加了mezzotint来描述一幅基于1804-5年埃格雷蒙特伯爵为Petworth House购买的画作的主题，该画作传统上名为"韦茅斯的泰晤士河"。事实上，这幅图像并不代表特定的地方，而是结合了一些元素，其中一些是特纳在伦敦西部伊斯尔沃斯附近绘制的。这个标题建立了一种古典的氛围，它可能指的是泰晤士河源头的旧名称，水边的圆柱建筑，以及前景中栖息在一块半埋的檐上的孔雀。上边缘的字母"EP"可能代表高架田园，特纳将其应用于布景中的风景，呼应了克劳德的阿卡迪亚式情感。
介绍（英）	Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Say here added mezzotint to describe a subject based on a painting of 1804-5 bought by the Earl of Egremont for Petworth House, traditionally titled "The Thames at Weymouth." In fact, the image does not represent a specific place, but combines elements, some sketched by Turner around Isleworth, west of London. A classical mood is established by the title, which may refer to an old name for the headwaters of the Thames, by the columned building at the water's edge, and peacock perched on a piece of half-buried entablature in the foreground. The letters "EP" in the upper margin likely stand for Elevated Pastoral and were applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude.