克莱德（Liber Studiorum，第四部分，板18）图纸 - 美国大都会艺术博物馆展品查阅

品名（中）	克莱德（Liber Studiorum，第四部分，板18）图纸
品名（英）	Drawing of the Clyde (Liber Studiorum, part IV, plate 18)
入馆年号	1929年，29.52.15
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Joseph Mallord William Turner【1775 至 1851】【英国人】
创作年份	公元 1809
创作地区
分类	印刷品（Prints）
尺寸	plate: 7 3/16 x 10 1/2 英寸 (18.3 x 26.7 厘米) 页: 8 1/4 x 11 1/2 英寸 (21 x 29.2 厘米)
介绍（中）	特纳在1807年至1819年间出版的《研究之书》（拉丁语为Book of Studies）中提炼了他对风景的看法，该书共有70幅版画和一幅正面作品。为了确定构图，他绘制了棕色水彩画，然后在铜板上蚀刻轮廓。专业雕刻师通常在特纳的指导下开发色调，查尔斯·特纳在这里添加了mezzotint来描述苏格兰拉纳克郡克莱德河最高瀑布科拉林的令人回味的渲染。通过将若虫安置在河岸上，艺术家强调了自然的生成力，并将图像提升到简单的地形之外。倾斜的光线将薄雾转化为适合神话中沐浴者的背景。上边缘的字母"EP"可能代表高架田园，特纳将其应用于布景中的风景，呼应了克劳德的阿卡迪亚式情感。
介绍（英）	Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe an evocative rendering of Cora Linn, the highest of the falls of the River Clyde in Lanarkshire, Scotland. By placing nymphs on the river bank, the artist emphasized nature's generative power and elevated the image beyond simple topography. Slanted rays transform the mist into a backdrop that suits the mytical bathers. The letters "EP" in the upper margin likely stand for Elevated Pastoral, and were applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude.