Recto：神庙类型：在Antis和Prostyle（维特鲁威，第3卷，第2章，第2、3号）；诗歌：神庙类型：外围（维特鲁威，第3卷，第2章，第5章）。 - 美国大都会艺术博物馆展品查阅

品名（中）	Recto：神庙类型：在Antis和Prostyle（维特鲁威，第3卷，第2章，第2、3号）；诗歌：神庙类型：外围（维特鲁威，第3卷，第2章，第5章）。
品名（英）	Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5).
入馆年号	2008年，2008.105.2
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Sangallo family【1530 至 1545】【意大利人】
创作年份	公元 1530 - 公元 1545
创作地区	原产国: 法国（Country of Origin: France）
分类	手稿（Manuscripts）
尺寸	页: 6 1/8 x 10 1/2 英寸 (15.5 x 26.6 厘米)
介绍（中）	最近的发现，这张纸和其他七张纸（编号2008.105.1-8）包括罗马古代唯一幸存的建筑论文的意大利版手稿草稿，马库斯·波利乌斯·维特鲁威（公元前一世纪末）的十本建筑书。如果该项目完成，它将跻身文艺复兴时期解释性建筑理论的杰出想象力作品之列。这些图画还展示了对钢笔的精美表现力处理。对风格以及人物素描中的速记符号的比较表明，与巴斯蒂亚诺"亚里士多德"达桑加洛（佛罗伦萨，1481 年 - 佛罗伦萨 1551 年）的绘画以及帮助他在 1486 年印刷版的维特鲁威（科西尼亚图书馆，Accademia Nazionale dei Lincei，罗马）在 1530 年代进行了重新设计。众所周知，巴斯蒂亚诺·达·桑加洛（Bastiano da Sangallo）是一位舞台布景设计师，他是安东尼奥·达·桑加洛（Antonio da Sangallo "The Younger"）和乔瓦尼·巴蒂斯塔·达·桑加洛（Giovanni Battista da Sangallo）的堂兄和最亲密的合作者，是米开朗基罗在西斯廷教堂的助手，并因其对古代的热爱而姓"亚里士多德"。桑加洛家族的成员至少两代人都对维特鲁威产生了浓厚的兴趣。维特鲁威试图根据类型对寺庙进行分类，这里的佛罗伦萨艺术家已经非常仔细地翻译了他的文本。文本顶部的单词可以或多或少地翻译成英语如下："当它有安泰突出在包围地窖的墙壁前面时，它将是一座反神庙，在安泰之间的中心，两根柱子，在它们上面是山墙，这是用本作品后面描述的那种对称比例建造的。在最靠近科林门的三个财富之一的三个财富中可以找到一个例子。下一段描述的普罗风格寺庙与反面的寺庙相似，但角落有两根柱子。在这里，维特鲁威引用了罗马提比里纳岛的朱夫和动物神庙的例子。
介绍（英）	A recent discovery, this sheet and seven others (acc. nos. 2008.105.1-8) comprised a manuscript draft for an Italian edition of the sole surviving architectural treatise of Roman antiquity, Ten Books on Architecture by Marcus Pollius Vitruvius (late first century B.C.). Had the project been completed, it would have ranked among the brilliantly imaginative works of Renaissance interpretive architectural theory. The drawings also exhibit a beautifully expressive handling of the pen. Comparisons of style as well as of the shorthand notation in the sketching of human figures suggest a close kinship with drawings by Bastiano "Aristotile" da Sangallo (Florence, 1481 – Florence 1551) and the collaborators that helped him draw and write the motifs of marginalia in a printed 1486 edition of Vitruvius (Biblioteca Corsiniana, Accademia Nazionale dei Lincei, Rome) that was reworked in the 1530s. By all accounts a virtuoso stage set designer, Bastiano da Sangallo-the cousin and closest collaborator of Antonio da Sangallo "The Younger" and Giovanni Battista da Sangallo "Il Gobbo"-was Michelangelo's assistant in the Sistine Chapel and took the surname of "Aristotile" for his love of antiquity. Members of the Sangallo family had been deeply interested in Vitruvius for at least two generations. Vitruvius sought to classify temples according to type, and the Florentine artist here has translated his text quite closely. The words at the top of the text may be rendered into English more or less as follows: "It will be a temple in antis when it has the antae projecting in front of the walls that enclose the cella, and in the center between the antae, two columns, and over them the pediment, which is built with the kind of symmetrical proportions described later in this work. An example will be found at the Three Fortunes in one of the three that is nearest the Colline Gate." The bottom paragraph describes the prostyle temple as being similar to the temple in antis, but having two columns at its corners. Here, Vitruvius cited the example of the Temple of Jove and Faunus on the Isola Tiberina in Rome.