雷托：《亚历山大港城》（？《亚历山大港建筑的典故》，维特鲁威，第2卷，导言，第1期）；诗歌：碎片写作（“Libro Primo…”）。 - 美国大都会艺术博物馆展品查阅

品名（中）	雷托：《亚历山大港城》（？《亚历山大港建筑的典故》，维特鲁威，第2卷，导言，第1期）；诗歌：碎片写作（“Libro Primo…”）。
品名（英）	Recto: The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1); Verso: Fragmentary Writing ("Libro Primo...").
入馆年号	2008年，2008.105.3
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Sangallo family【1530 至 1545】【意大利人】
创作年份	公元 1530 - 公元 1545
创作地区	原产国: 法国（Country of Origin: France）
分类	图画（Drawings）
尺寸	页: 8 3/8 x 5 9/16 英寸 (21.2 x 14.2 厘米)
介绍（中）	最近的发现，这张纸和其他七张纸（编号2008.105.1-8）包括罗马古代唯一幸存的建筑论文的意大利版手稿草稿，马库斯·波利乌斯·维特鲁威（公元前一世纪末）的十本建筑书。如果该项目完成，它将跻身文艺复兴时期解释性建筑理论的杰出想象力作品之列。这些图画还展示了对钢笔的精美表现力处理。对风格以及人物素描中的速记符号的比较表明，与巴斯蒂亚诺"亚里士多德"达桑加洛（佛罗伦萨，1481 年 - 佛罗伦萨 1551 年）的绘画以及帮助他在 1486 年印刷版的维特鲁威（科西尼亚图书馆，Accademia Nazionale dei Lincei，罗马）在 1530 年代进行了重新设计。众所周知，巴斯蒂亚诺·达·桑加洛（Bastiano da Sangallo）是一位舞台布景设计师，他是安东尼奥·达·桑加洛（Antonio da Sangallo "The Younger"）和乔瓦尼·巴蒂斯塔·达·桑加洛（Giovanni Battista da Sangallo）的堂兄和最亲密的合作者，是米开朗基罗在西斯廷教堂的助手，并因其对古代的热爱而姓"亚里士多德"。桑加洛家族的成员至少两代人都对维特鲁威产生了浓厚的兴趣。虽然刻有"亚历山德拉"，但这里的港口城市的巡回景观看起来可疑地像意大利的沿海小镇，拥有罗马古迹。请注意凯旋门和metae（或方尖碑）。绘图片段没有附有文字，因此维特鲁威论文中段落的准确标识尚不清楚。艺术家很可能是想描绘维特鲁威对迪诺克拉底建造亚历山大港的暗示，正如第 2 卷第一章的引言中所述。
介绍（英）	A recent discovery, this sheet and seven others (acc. nos. 2008.105.1-8) comprised a manuscript draft for an Italian edition of the sole surviving architectural treatise of Roman antiquity, Ten Books on Architecture by Marcus Pollius Vitruvius (late first century B.C.). Had the project been completed, it would have ranked among the brilliantly imaginative works of Renaissance interpretive architectural theory. The drawings also exhibit a beautifully expressive handling of the pen. Comparisons of style as well as of the shorthand notation in the sketching of human figures suggest a close kinship with drawings by Bastiano "Aristotile" da Sangallo (Florence, 1481 – Florence 1551) and the collaborators that helped him draw and write the motifs of marginalia in a printed 1486 edition of Vitruvius (Biblioteca Corsiniana, Accademia Nazionale dei Lincei, Rome) that was reworked in the 1530s. By all accounts a virtuoso stage set designer, Bastiano da Sangallo-the cousin and closest collaborator of Antonio da Sangallo "The Younger" and Giovanni Battista da Sangallo "Il Gobbo"-was Michelangelo's assistant in the Sistine Chapel and took the surname of "Aristotile" for his love of antiquity. Members of the Sangallo family had been deeply interested in Vitruvius for at least two generations. Although inscribed "Alexandra," the roving view of the port city here looks suspiciously like a coastal town in Italy with Roman monuments. Note the triumphal arch and the metae (or obelisks). The drawing fragment is not accompanied by text, so the precise identification of the passage in Vitruvius's treatise is not clear. It may well be that the artist meant to depict Vitruvius's allusion to the building of Alexandria by Dinocrates, as told in the introduction to the first chapter of book 2.