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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)一只箭头蓝蝴蝶和一只苏格兰帽海贝
品名(英)An Arrowhead Blue Butterfly and a Scotch Bonnet Sea Shell
入馆年号2008年,2008.522
策展部门绘画和印刷品Drawings and Prints
创作者Balthasar van der Ast【1593 至 1657】【荷兰人】
创作年份公元 1605 - 公元 1657
创作地区原产国: 荷兰(Country of Origin: The Netherlands)
分类图画(Drawings)
尺寸页: 3 3/4 x 4 3/4 英寸 (9.5 x 12 厘米)
介绍(中)花卉静物画家巴尔塔萨·范德阿斯特(Balthasar van der Ast)的大量画作流传下来。这些高度详细的图片展示了稀有和外来的植物、贝壳和昆虫,可以作为范德阿斯特绘画的参考材料:事实上,在他错综复杂的静物中可以找到各种例子。

这里描绘的是原产于北美的箭头蓝蝴蝶和苏格兰帽贝壳,主要分布在西大西洋。它们很可能是由荷兰西印度公司的海员带到欧洲的,他们从外国领土进口外来物种方面做得很好,欧洲观众对此非常感兴趣。

像这样一丝不苟的静物画也会吸引十七世纪的植物学业余爱好者和对动物学感兴趣的人。因此,范德阿斯特在他的画作旁边,也有可能将这样的个人作品作为独立的艺术作品进行销售。

人们对博物馆图纸的真实性提出了担忧。根据静物专家山姆·西格尔(Sam Segal)的说法,制图技巧的精致程度太有限,无法由范德阿斯特(van der Ast)完成。在哈佛艺术博物馆中,一幅惊人相似的画作的作者身份也受到西格尔的质疑。[1]尽管博物馆收藏的贝壳比

哈佛的纸张略微微妙,例如在描绘贝壳起伏的结构时,范德阿斯特的安全属性图纸显示出明显更大的自然主义和细节感。与水粉相反的油画媒介对艺术家来说是不寻常的。因此,西格尔的担忧并非没有根据。范德阿斯特画作的受欢迎程度可能激励了伪造者,而且这两幅画都可能是在现已丢失的原件之后制作的。




[1] (此处归属于)Balthasar van der Ast,棋盘格帽壳(Phalium Areola),约1620-40年,棕色水洗和透明和不透明的水彩, inv. no. 2013.173
介绍(英)A remarkable number of drawings by the flower still-life painter Balthasar van der Ast has come down to us. These highly detailed pictures that show rare and exotic plants, shells and insects would have functioned as reference material for van der Ast’s paintings: indeed, various examples can be found directly copied in his intricate still-lives.

Depicted here is an Arrowhead Blue Butterfly, native to North America, and a Scotch Bonnet Seashell, which can be found predominantly in the Western Atlantic Ocean. They most likely were brought to Europe by seamen from the Dutch West India Company, who did good business importing exotic species from foreign territories, for which there was a great interest among European audiences.

Meticulous still-life drawings such as this would also have appealed to seventeenth-century amateurs of botany and people with an interest in zoology. The possibility exists therefore that van der Ast, next to his paintings, also marketed individual sheets such as this as independent art works.

Concerns have been raised about the authenticity of the Museum’s drawing. According to the still-life specialist Sam Segal, the draftsmanship shows too limited refinement to be by van der Ast. The authorship of a strikingly similar drawing, in the Harvard Art Museums, on which the same shell is depicted, was also questioned by Segal.[1]

Although the shell in the Museum’s collection was painted slightly more subtly than the Harvard sheet, for example in the depiction of the undulating structure of the shell, securely attributed drawings by Van der Ast show a noticeably greater sense of naturalism and detail. The medium of oil paint as opposed to gouache is unusual for the artist. Segal’s concerns, therefore, are not ungrounded. The popularity of van der Ast’s pictures could have been an incentive for forgers, and it is possible that both drawings were made after a now lost original.




[1] (Here attributed to) Balthasar van der Ast, Checkerboard Bonnet Shell (Phalium Areola), ca. 1620-40, brown wash and transparent and opaque watercolor, inv. no. 2013.173.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。