五大危险品 - 美国大都会艺术博物馆展品查阅

品名（中）	五大危险品
品名（英）	The Five Orders of Periwigs
入馆年号	1932年，32.35(116)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	William Hogarth【1697 至 1764】【英国人】
创作年份	公元 1761
创作地区
分类	印刷品（Prints）
尺寸	页: 11 7/8 x 8 5/8 英寸 (30.2 x 21.9 厘米)
介绍（中）	霍加斯在这里将古典建筑的术语应用于男性假发，以讽刺英国社会的分裂。他假装严肃地把假发类型排成一排，就像在一篇建筑论文中一样。与柱头的名字相呼应，他给自己的标本贴上了"圣公会"、"老贵族"、"奥尔德曼"、"Lexonic"和"Queerinthian"的标签。这种幽默的灵感来自詹姆斯·斯图尔特和尼古拉斯·雷维特即将出版的书《雅典文物》的浮夸广告。1761年9月，英国国王乔治三世和夏洛特女王加冕，使霍加斯对英国社会"秩序"的关注更加突出。印刷品底部的一排女性头像指的是这一事件，左边显示的是女王。她的同伴不是通过发型来区分的，而是通过他们的头饰来区分的。这些头饰将他们按降序区分为公主、公爵夫人、伯爵夫人、伯爵和男爵夫人。
介绍（英）	Hogarth here applied the terminology of classical architecture to men’s wigs to satirize the divisions of British society. With mock seriousness, he arranged wig types in rows as though in an architectural treatise. Echoing the names of column capitals he labeled his specimens "Episcopal," "Old Peerian," "Aldermanic," "Lexonic," and "Queerinthian." The humor was inspired by a pompous advertisement for James Stuart’s and Nicholas Revett’s forthcoming book The Antiquities of Athens. Hogarth’s focus on the "orders" of British society had been sharpened by the September 1761 coronation of King George III and Queen Charlotte. A row of female heads at the bottom of the print refers to that event, with the queen shown at left. Her companions are differentiated not by their hairstyles, but by their coronets which identify them in descending rank as princess, duchess, countess, vis-countess and baroness.