穿越雪山 - 美国大都会艺术博物馆展品查阅

品名（中）	穿越雪山
品名（英）	Traveling through Snow-Covered Mountains
入馆年号	2011年，2011.573
策展部门	亚洲艺术（Asian Art）
创作者	Yao Yanqing (Tingmei)【1300 至 1370】【中国人】
创作年份	公元 1300 - 公元 1368
创作地区
分类	绘画（Paintings）
尺寸	图像: 38 3/4 × 21 1/2 英寸 (98.4 × 54.6 厘米) 整体 with mounting: 85 1/8 × 27 3/4 英寸 (216.2 × 70.5 厘米) 整体 with knobs: 85 1/8 × 31 1/4 英寸 (216.2 × 79.4 厘米)
介绍（中）	姚延庆，浙江吴兴人，跟随他的同乡赵孟夫（1254–1322）和唐棣（1287–1355）的脚步，采用了李成（919–967）和郭Xi（约1000–约1090）的山水习惯。在北宋时期（960–1127），李过风格得到了国家的赞助，宫廷艺术家创造了雄伟的松树和山脉的理想化景象，主持着等级有序的景观；这些可以被解读为开明统治带来繁荣和稳定领域的图像。可以理解的是，这种风格在元朝的宫廷委托和为在南方担任官员的北方赞助人制作的作品中更受欢迎这幅画不再有艺术家的签名或印章，但它的风格特质无疑使它成为姚延庆的作品。山脉形态是通过密集纹理的裂缝和类似路径的纯白区域的示意性交替来描绘的。突出的黑点，用来表示绘画表面有空洞。姚在再现早期大师的风格时，将郭neneneba习的高度描述性和丰富变化的纹理笔画和轮廓线减少为有限的书法风格。
介绍（英）	Yao Yanqing, a native of Wuxing in Zhejiang Province, followed in the footsteps of his fellow townsmen Zhao Mengfu (1254–1322) and Tang Di (1287–1355) in adopting the landscape idiom of Li Cheng (919–967) and Guo Xi (ca. 1000–ca. 1090). During the Northern Song (960–1127), the Li-Guo style had enjoyed state sponsorship, with court artists creating idealized visions of majestic pines and mountains presiding over hierarchically ordered landscapes; these could be interpreted as images of enlightened rule engendering a prosperous and stable domain. Understandably, this style was preferred for Yuan court commissions and for works produced for northern patrons serving as officials in the south. This painting no longer bears an artist’s signature or seals, but its stylistic idiosyncracies identify it unmistakably as the work of Yao Yanqing. Mountain forms are delineated through a schematic alternation of densely textured fissures and stark white areas that resemble pathways. Prominent black dots intended to indicate cavities sit on the painting’s surface. In evoking the earlier master’s style, Yao reduced Guo Xi’s highly descriptive and richly varied texture strokes and contour lines to a limited repertoire of calligraphic mannerisms.